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	<title>Fried Chicken and Coffee &#187; Fiction</title>
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	<description>a blogazine of rural literature, working-class literature,  Appalachian literature, and off-on commentary, reviews, rants</description>
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		<title>Highway 50, fiction by Murray Dunlap</title>
		<link>http://www.friedchickenandcoffee.com/2010/09/04/highway-50-fiction-by-murray-dunlap/</link>
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		<pubDate>Sat, 04 Sep 2010 20:33:32 +0000</pubDate>
		<dc:creator>Rusty</dc:creator>
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		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[highway 50]]></category>
		<category><![CDATA[murray dunlap]]></category>

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		<description><![CDATA[<p class="wp-caption-text">photo by davemeistermoab</p>
<p>Two AM. Highway 50. Ely, Nevada. We laughed out loud at the Break-a-Heart Hotel in Silver Springs, flew past the Last Chance Saloon in Austin, then passed up the Parsonage House in Eureka. A coyote darted across both lanes a few minutes ago, and I&#8217;ve seen more road-kill in one night than [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_942" class="wp-caption aligncenter" style="width: 310px"><a rel="attachment wp-att-942" href="http://www.friedchickenandcoffee.com/2010/09/04/highway-50-fiction-by-murray-dunlap/lincolnhighwaynv/"><img class="size-large wp-image-942" title="lincolnhighwaynv" src="http://www.friedchickenandcoffee.com/wp-content/uploads/2010/09/lincolnhighwaynv-300x199.jpg" alt="Lincoln Highway at Middlegate NV" width="300" height="199" /></a><p class="wp-caption-text">photo by davemeistermoab</p></div>
<p>Two AM. Highway 50. Ely, Nevada. We laughed out loud at the Break-a-Heart Hotel in Silver Springs, flew past the Last Chance Saloon in Austin, then passed up the Parsonage House in Eureka. A coyote darted across both lanes a few minutes ago, and I&#8217;ve seen more road-kill in one night than in a lifetime of driving. We&#8217;re low on gas. From here, the next decent stop is Delta, Utah, and that&#8217;s one hundred and fifty three miles up the road. I&#8217;ve got a job in Denver to get to, but we won&#8217;t make it tonight.</p>
<p>Ely it is.</p>
<p>The Prospector is full. So are the Park-Vue and the Copper Queen. Hotel Nevada is no different, so I ask where else we should look. Jessie stays in the car with the doors locked. The girl behind the desk looks to be in her late teens. Her name tag reads: Rose Ellen. She&#8217;s wearing a red tank top with black bra straps showing and her breasts are so large, they move papers around on the countertop while she talks. This is her job.</p>
<p>&#8220;The Jailhouse Motel, I guess,&#8221; she says. &#8220;They always have a room left.&#8221;</p>
<p>&#8220;It ain&#8217;t the best,&#8221; I say.  &#8221;But anything would be fine. Can you call them for us?&#8221;</p>
<p>&#8220;Sure, baby.&#8221;Rose shouts into a dark room over her shoulder where the blue light of a television blinks against an obese man&#8217;s face. &#8221;Get up, Bull. What&#8217;s the number for Lola at Jailhouse?&#8221;</p>
<p>Bull opens his eyes, scowls, and turns to Rose. &#8220;Look it up, bitch.&#8221; Bull shakes his face, loose fat jiggling in his cheeks. &#8220;Jailhouse?&#8221; With considerable effort, Bull stands up. Dark wiry bangs stick to his forehead and a long jagged scar travels the length of his chin. He walks into the doorway, filling it, and looks me in the eye.&#8221;You&#8217;re not going to stay there, are you?&#8221;</p>
<p>&#8220;Everything is full,&#8221; I say.</p>
<p>&#8220;You feeling lucky?&#8221;</p>
<p>&#8220;Not especially.&#8221;</p>
<p>&#8220;I wouldn&#8217;t go to Jailhouse without a bucket of Clorox and a body condom,&#8221; Bull says. Then he laughs from somewhere deep in his throat.</p>
<p>Rose dials the number and twirls her hair. &#8220;Lola,&#8221; she says. &#8220;You got more rooms open? I got a pretty little couple here needs a rest.&#8221; She pauses and licks her finger. &#8220;All right then. I&#8217;ll send them to you.&#8221;</p>
<p>I walk back to Jessie, hoping the job in Denver will give us a better life. I jingle the change in my pocket and wonder how cold it will be tonight, sleeping in the car.</p>
<p><strong>Murray Dunlap&#8217;s</strong> work has appeared in <em>Virginia Quarterly Review, Post Road,  Night Train, Red Mountain Review, Silent Voices, The Bark, Fried Chicken and  Coffee</em> and many others. His stories have been twice nominated for the  Pushcart Prize, as well as Best New American Voices, and his first book,  &#8220;Alabama,&#8221; was a finalist for the Maurice Prize in Fiction. He is currently  working on a novel-in-stories called &#8220;Bastard Blue.&#8221; The extraordinary  individuals Pam Houston, Laura Dave, Michael Knight, and Fred Ashe taught  him the art of writing.</p>
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		<title>Memories of a Joplin Bum, by Helen Losse</title>
		<link>http://www.friedchickenandcoffee.com/2010/08/17/memories-of-a-joplin-bum-by-helen-losse/</link>
		<comments>http://www.friedchickenandcoffee.com/2010/08/17/memories-of-a-joplin-bum-by-helen-losse/#comments</comments>
		<pubDate>Tue, 17 Aug 2010 20:45:22 +0000</pubDate>
		<dc:creator>Rusty</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[helen losse]]></category>
		<category><![CDATA[memories of a joplin bum]]></category>

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		<description><![CDATA[<p>I’m really a person who keeps pretty much to myself, but you’d probably know me as the guy you see all over town pushin’ the old wooden cart.  You’d call me a bum, but I’ll get to that later.  I have a life, though you might not think it’s much of one—not by [...]]]></description>
			<content:encoded><![CDATA[<p>I’m really a person who keeps pretty much to myself, but you’d probably know me as the guy you see all over town pushin’ the old wooden cart.  You’d call me a bum, but I’ll get to that later.  I have a life, though you might not think it’s much of one—not by your standards anyhow.  It hasn’t always been like this, you know.  I wasn’t born forty-seven years old pushin’ an old wooden cart everywhere I go—all over this two-bit town.  I had a family . . . wife.</p>
<p>Things are different now.  Every day I do pretty much the same thing, except Sunday.  No sir, I don’t push that cart on Sunday.  Man deserves a bit of rest.  Six days to make a livin’.  One day for takin’ a rest!  That’s the way I see it.</p>
<p>My life’s all that hard, but it ain’t no picnic either.  I’ve always been—well, poor, even when I had a family and all.  Lived in East town.  You know, lots of people won’t even go into East town on account of the colored people.  Not that it’s all colored, get me, but they live there.  Stay to themselves mostly.</p>
<p>I like that.  Nothin’ worse than nosey neighbors.  Colored ain’t all that nosey, not to me anyhow.   Most people don’t trust me a bit.  Call me a bum.  Some folks run when they see me—lots of kids do—but most people don’t pay me all that much attention.  At least that’s what they want me to think.  Some folks just don’t trust me. I can see ’em watchin’ out of the corner of their eye.</p>
<p>I make my living pickin’ up things.  That’s why I need my cart.  I pick up things.  Sell ’em.  Most of the time it’s things people throw away.  People throw away some of the damndest stuff.  I furnished my house that way.  All my furniture—stuff people just throwed away.</p>
<p>And it’s not only furniture, I found an old saxophone once just  lyin’ out in the alley with the rest of the junk.  Or, maybe a kid put it there, I don’t know.  It played good.  I don’t play myself, never took lessons.  But I sold it to an old colored man who swore it was in great shape.  Sold it to him for $27.  Man, was I livin’ high then!  Ate at the cafeteria and ever’thing.  Yep, Robert’s Cafeteria.</p>
<p>I was standin’ right in front of the cafeteria after I ate myself a fine meal when I heard a couple of guys talkin’.  One of ’em was a cop.  I don’t know what the other guy did.  But they were standin’ there on the curb talkin’, and this guy says to the cop, “You know the difference between a bum and a ’bo?”   Lots of ’bo’s still hang out back of the old Frisco Building on Main, especially at night. The cop said he couldn’t see much difference, but the other guy set him straight.</p>
<p>“A ‘bo will work for a <em>living</em>!”  And he said it like that, too—<em>living</em>!  They both laughed real hard.  Well, I decided right then and there that it didn’t matter what folks called me. Those fellas laugh like that ’bout anyone who ain’t like them.</p>
<p>I work, all right.  Real hard sometimes.  Lots of folks don’t really know nothin’ about me and maybe not a hell of lot of other stuff either for that matter.  Some folks think that they are so damn smart.  I never had a whole lot of schoolin’.  Education just don’t mean a whole lot to me.  I work, and I have a home.  Oh, it’s not much to look at, but it’s a home, all right.  It’s all I need.  I don’t need all that much.</p>
<p>Yep, I work, all right.  I cover this whole town in about a week.  Just about a week.  Up and down every street.  I don’t really know how many miles I walk in a day, pushin’ that cart.  Never even tried to figure it out.  Too many.  But one thing for sure, I wear out shoes pretty damn quick—even good leather shoes.  I get lots of shoes.  People throw away real good ones sometimes.</p>
<p>Like I said,  I don’t know how many miles I walk or even how big this two-bit town really is.  Sign says:  JOPLIN: POPULATION 38,711.  But what does that really tell a guy?</p>
<p>I’m a guy who likes my privacy—maybe I said that before—but people all over this town recognize me.  I’m a bit of a landmark here, if I do say so myself.  Even the kids.  I can hear ’em screamin’, “Ol’ Henry!  Ol’ Henry!” when they see me comin’.  Screamin’ and squealin’ like I was a star out of a monster movie showing at the Paramount Theatre or even the Fox.</p>
<p>There’s a group of ’em—two girls, two boys, always together—climb up an old mulberry tree out by the alley in the north end of town.  Not way up north where the rich folks live.  No, this is before you get to those curvy streets with the alphabet names.  About the three hundred block of Jackson or Sergeant.  Up near the DeTar Clinic.  Just a couple of blocks from the Safeway.</p>
<p>The minute those kids see my cart turn into the alley, the girls go to squealin’—even before they even see me.  Then up they go into that tree, all four of ’em.  They sit there as quiet as kids can sit, which ain’t very quiet, and they eat those mulberries—bugs and all.  Bet they eat a quart of bugs every summer!  It’s mostly in the summer when I see those kids.  I just hold my head up and keep on walkin’—walkin’ and pretendin’ I  don’t even know they’re up there. And they sit up there gigglin’ and munchin’ those berries.  Bugs and berries—ha!</p>
<p>I remember one day last summer, they were up in that tree.  I remember that day real well ’cause I turned into that alley on purpose.  You see, I found a bunch of bottles of beer behind Jimmy’s.  I don’t know who left them there because Jimmy don’t sell no beer in his place.  It was a hot day.  Anyway I drank about three bottles before  I put the rest in my cart.  So when I got to that alley, I was wantin’ to pee real bad.</p>
<p>There’s a spot down there with a lot of trees—well mostly bushes—but they’re tall enough for a guy to take a quick leak.  In my line of work, you learn the value of bein’ quick.  Comes in handy lots of times.  I just sort of rummage through the trash.  Then I  slip off for a bit—you know, take care of “business.”  Sometimes it’s one kind of business, sometimes it’s another.</p>
<p>Well, usually those kids stayed in that tree until I was long gone.  But wouldn’t you know it, this was the day they came down.  All four of ’em right there behind me.  So I had to go on pushin’ my cart two, three more blocks.  I was about to bust!</p>
<p>In the summertime, I see those kids all over town.  I bet some days they cover about as many blocks as I do, but they never go into East town.  Except this one time.  I saw them over the viaduct at Landreth Park.  That’s in East town—well, sort of.  Anyway I saw those kids at the swimming pool at Landreth Park late that evening.  At first I didn’t take a whole lot of notice ’cause  I was on my way home.  You’d think those kids would be at Schifferdecker or one of those fancy parks over there, not in East town—not in the swimming pool in East town.   But it was those same kids.  I’m sure.</p>
<p><strong><a rel="attachment wp-att-898" href="http://www.friedchickenandcoffee.com/2010/08/17/memories-of-a-joplin-bum-by-helen-losse/helen/"><img class="alignleft size-medium wp-image-898" title="helen" src="http://www.friedchickenandcoffee.com/wp-content/uploads/2010/08/helen-300x200.jpg" alt="" width="300" height="200" /></a>Helen Losse</strong>’s first book, <em>Better With Friends, </em>was published by Rank Stranger Press (Mt. Olive, NC) in 2009. She is the author of two chapbooks, <em>Gathering the Broken Pieces </em><em>and </em><em>Paper Snowflakes</em>. Her recent<em> </em>poetry publications and acceptances include<em> The Wild Goose Poetry Review, Main Street Rag, Iodine Poetry Review, Blue Fifth Review, Heavy Bear, Referential Magazine, Hobble Creek Review</em><em> </em>and<em> </em><em>Literary Trails of the North Carolina Piedmont</em><em>.</em><em> </em>She is the Poetry Editor for <em>The Dead Mule School</em> <em>of Southern Literature.</em></p>
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		<title>Birds of Winter, fiction by James Alan Gill</title>
		<link>http://www.friedchickenandcoffee.com/2010/08/09/birds-of-winter-fiction-by-james-alan-gill/</link>
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		<pubDate>Mon, 09 Aug 2010 16:58:07 +0000</pubDate>
		<dc:creator>Rusty</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[birds of winter]]></category>
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		<category><![CDATA[james alan gill]]></category>

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		<description><![CDATA[<p style="text-align: center;">“Last night’s spangles and yesterday’s pearls are the bright morning stars of the barroom girls.”</p>
<p style="text-align: center;">–Gillian Welch, Barroom Girls</p>
<p style="text-align: center;">
<p>Little girls don’t dream of growing up to become barmaids, and Lori Thompson was no different, but now she stands behind the bar at The Bluff, staring into a daydream of neon-lit smoke, [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;">“Last night’s spangles and yesterday’s pearls are the bright morning stars of the barroom girls.”</p>
<p style="text-align: center;">–Gillian Welch, Barroom Girls</p>
<p style="text-align: center;">
<p><span style="font-size: small;">Little girls don’t dream of growing up to become barmaids, and Lori Thompson was no different, but now she stands behind the bar at The Bluff, staring into a daydream of neon-lit smoke, while men and women hover close over drinks she’s poured them.</span></p>
<p><span style="font-size: small;"> The bar is dark, the only window in the place boarded over with plywood and covered in plastic.  A small space heater run on an extension cord glows orange on a shelf behind the bar to make up for the aging furnace.  Roger Price, the bar’s owner, sits leaning back in a wooden chair, reading a worn paperback.  His thick white hair is combed through with pomade, making it the color of iron.  Down the bar two men sit with beers in front of them, their eyes sagging, their shoulders nearly touching.  They stare up at the tv hung in the corner where men in camouflage hunting gear hold scoped rifles and the antlers of a dead elk on the side of a mountain while thick snow falls around them.</span></p>
<p><span style="font-size: small;"> “What’re you reading?” Lori says to Roger.</span></p>
<p><span style="font-size: small;"> “Oh, hell, it’s one of those romance books like you see checking out of the grocery.”</span></p>
<p><span style="font-size: small;"> “What got you started on those?”</span></p>
<p><span style="font-size: small;"> “I just picked one up and took it home.  Wasn’t long after my old lady left, so I didn’t have a whole hell of a lot to do.  But since I took them up, I’ve had more sex than I’ve had in the last ten years.”</span></p>
<p><span style="font-size: small;"> Lori sips from a white porcelain coffee mug.  “I’ll bet.”</span></p>
<p><span style="font-size: small;"> Roger sits back in his chair and crosses his legs, holding his place in the book with his thumb.  “Well, think about it.  Who reads this stuff—women.  Why—because it’s what they dream of.  So once you figure that out, you got something.”</span></p>
<p><span style="font-size: small;"> Lori starts to ask him what it is that women dream of but figures it best left alone and steps around the bar to wipe down the tables along the opposite wall in preparation for the four o’clock rush when people start getting off work.  A woman comes out of the ladies room and sits in front of an ashtray overflowing with crushed butts.  Her makeup is smudged black around her eyes, and she dabs them with a fingertip, keeping her back to Roger the whole time.  Lori walks over, dumps the ashtray, and sets it back in place.  In the dim light of the room, the woman looks not much older than thirty, but the skin on her hands is loose, the veins dark and broken.  Her hair runs long and straight down her back, dark and without shine.</span></p>
<p><span style="font-size: small;"> “What’s the matter?” Roger says to her.</span></p>
<p><span style="font-size: small;"> “Nothing.”</span></p>
<p><span style="font-size: small;"> “Don’t look like nothing.”</span></p>
<p><span style="font-size: small;"> “Well, it is.”</span></p>
<p><span style="font-size: small;"> “It’s Darrell, isn’t it.”</span></p>
<p><span style="font-size: small;"> The woman doesn’t answer.</span></p>
<p><span style="font-size: small;"> “He don’t treat you right, Deb.  He never has.  And if he were here, I’d tell him that.  I’d tell him he was a damn fool.  Because if I had you, if I had one goddamn night with you, I’d treat you like a goddess.  Like no other.”</span></p>
<p><span style="font-size: small;"> The woman turns and looks at Roger, and he smiles at her softly.  She begins to cry again and wipes at her eyes, but then stops and stands looking at him.  “Thank you,” she says, and hurries back to the ladies room.</span></p>
<p><span style="font-size: small;"> Roger holds up his book in Lori’s direction and thumps the cover with the back of his hand.  She shakes her head with a mild disapproval, but he winks at her, and she can’t help but smile.</span></p>
<p><span style="font-size: small;"> Her mother had taught her early about the ploys of men, hoping to avoid what she considered to be the curse of women in their family—both Lori’s grandmother and mother conceived their first child out of wedlock—so she told her that sex was no real pleasure in life, that it only led to the pain of childbirth and the sacrifice of motherhood, and the sooner she learned to live without it the better.  When Lori bought her first pair of heels to wear to the eighth grade dance, her mother sat at the kitchen table while Lori walked back and forth across the linoleum for hours until she could do it without waggling her ass, but even with her mother’s constant pressure, she found herself pregnant a month before her nineteenth birthday.</span></p>
<p><span style="font-size: small;"> Of course, both her grandmother and mother were married before they started showing, and their husbands worked hard—her grandfather as an oilfield mechanic, her father at the powerplant—to support their families and fulfill their duties.  But Lori hadn’t had that fortune.</span></p>
<p><span style="font-size: small;"> She was still living at home then, going to the junior college with hopes of transferring to study social work.  Her mother said, “you better find a way to stay in school because you’re the only one taking care of that baby.”  And her advisor showed her programs for working mothers and different financial aid forms and told her it would be tough for a few years but that by doing so, she would be able to provide a good life for her daughter and herself.  And Lori knew they were right, yet she never enrolled for the next term because she came to believe she wasn’t one to be counseling others, that she was a failure as a woman—an unmarried unemployed uneducated too-young mother still living under her parents’ roof; the very thing her mother had warned her about happening; another statistic for backwater Matin County Illinois.</span></p>
<p><span style="font-size: small;"> Lori got a job at the Ben Franklin in town—working the register, cleaning, learning how to frame and matte pictures—but when she spoke to the owners about a maternity leave, they went on about how business had been slow and that they needed to find ways to cut back and that she could work until the baby was born, but after that she wouldn’t be needed.</span></p>
<p><span style="font-size: small;">In the fall, a little girl was born, and Lori named her Sierra and for a while was glad for her parents’ help: her mother there for night feedings and colic and laundry; her father with an endless supply of funny faces and rocking chair stories.  But as the months passed and the family eased into a routine, Lori felt the balance shifting, felt the lives of daughter and granddaughter melding as her parents treated them more like sisters born twenty years apart.</span></p>
<p><span style="font-size: small;">Just after Sierra’s first birthday, Lori knew she had to get out, so she applied to work at nearly every place of business in town, and she filled out paperwork for income-based housing in a new complex that had been built the year before.  It took two months for her housing approval to process, and the only job callback she received was from the Bluff.  She worked there every night but Monday and Tuesday while her mother kept Sierra, and since she had no real expenses, she was able to save back a first and last month’s rent deposit and was ready to move in the day after they called saying there was an opening.  As her father was carrying the last of her things into the apartment, Lori smiled and told her mother that she felt she was finally getting things under control.  Her mother smirked and said, “Well it’s good to know the solution to all your life’s problems was learning to flirt and pour drinks, getting on WIC, and finding place in the projects.”</span></p>
<p><span style="font-size: small;"> “I’m trying really hard, Mom.  It’s only temporary.”</span></p>
<p><span style="font-size: small;"> “I’ll bet you thought it was only temporary when you were out slutting around town, but that little girl you got ain’t temporary, so you better get your act together.”</span></p>
<p><span style="font-size: small;"> Lori wanted to say, </span><span style="font-size: small;"><em>You had it figured out, didn’t you Mom, staying at home cooking and cleaning like a good little woman should, having three kids by the time you were 22 so that you didn’t have to think about your own life, just had to tell us how to live ours</em></span><span style="font-size: small;">, but instead she went over to where Sierra played in a small square of grass between the sidewalk and the parking lot and said with a great smile, “Come on, sweetie, let’s go up and see your new room.”</span></p>
<p style="text-align: center;"><span style="font-size: small;">***</span></p>
<p><span style="font-size: small;">Roger is sitting at one of the tables, talking to the woman Deb, their hands nearly touching between their empty drinks.  When the hunting program ends, one of the men down the bar turns off the tv, then takes up his stool again.  He slaps the man he sits with on the back.</span></p>
<p><span style="font-size: small;"> “So what’s on that test you gotta take?”  He is short and chubby, his cheeks smooth and shiny.</span></p>
<p><span style="font-size: small;"> “Fractions.”</span></p>
<p><span style="font-size: small;"> “Do you know math?”</span></p>
<p><span style="font-size: small;"> The other man sits with both hands on his beer glass.  “I’ve worked as a paramedic for eight years.  Took the test for that job at the county hospital.  It’s all decimals.  Not a goddamned fraction on there.  Now the city thinks we need to know fractions.”</span></p>
<p><span style="font-size: small;"> “Fractions is easy.”  The chubby man takes a pencil and a napkin and starts writing figures down, while the other man looks over his shoulder intently.</span></p>
<p><span style="font-size: small;"> Lori wipes through drops of water on the bar with a white rag.  As she passes, she hears the chubby man say, “See, point twenty is one fifth.  Twenty hundredths makes two tenths makes one fifth.  Got it?”</span></p>
<p><span style="font-size: small;"> “No,” the other man says.  “One thing this country fucked up on was not using the metric system.”</span></p>
<p><span style="font-size: small;"> The door opens and the light from outside is blinding.  A tall man in his fifties steps in and shuts the door softly behind him.  Lori turns and walks to the shelves of liquor and begins mixing whiskey and 7up.  “How you doing today, Sweetwater,” she says to him.</span></p>
<p><span style="font-size: small;"> The man takes up his seat at the bar.  “Any better and I’d have to be twins.”</span></p>
<p><span style="font-size: small;"> Lori sets the drink in front of him.  “Hard day?”</span></p>
<p><span style="font-size: small;"> “Oh you know, through rain and sleet and dark of night.”  He takes a long drink.</span></p>
<p><span style="font-size: small;"> One of the men from the other end of the bar yells over:</span></p>
<p><span style="font-size: small;"> “Sweetwater, how’d you get a cushy job delivering the mail, while the rest of us have to work for a living?”</span></p>
<p><span style="font-size: small;"> He holds his glass toward them in a mock toast.  “I passed the Civil Service exam.”</span></p>
<p><span style="font-size: small;"> Lori fills a small sink with water and begins washing glasses, setting them out to dry.  Sweetwater lights a cigarette and says to her, “How’s a nice girl like you ever expect to find a decent man working in a gin palace like this.”</span></p>
<p><span style="font-size: small;"> “Well, Sweetwater,” Lori says, “you’re in here everyday.”</span></p>
<p><span style="font-size: small;"> “Yeah, but I ain’t looking for a decent man.”</span></p>
<p><span style="font-size: small;"> There was a time when Lori thought she had a decent man.  Nathan Barnes worked as head of sales in his father’s office supply business uptown, and he took her out for nice dinners in Evansville and bought her little gifts, even let her drive his brand new Mustang convertible to the college a few times while she left her mom’s 78 Malibu parked behind the store, and as she drove it proudly through town with the top down, her mother’s voice rang in her head: </span><span style="font-size: small;"><em>Honey, you can marry them rich the same as you can poor</em></span><span style="font-size: small;">.  But he had never promised her anything, never said it outloud, though many times when they were parked along the floodplain on the front side of the levee, watching the faint lights of cars passing on the bridge above them, he talked about marriage and kids, and she imagined herself in the role of wife and mother and before long began to believe that’s what he was saying.</span></p>
<p><span style="font-size: small;">Then she saw his picture in the paper with another girl on his arm, blonde and tan with pencil thin eyebrows and her left hand thrust forward to show the diamond on her finger.    Lori drove to his parents’ house, and Nathan’s father told her that he was out playing golf, that he’d probably come home around dark, but instead of waiting, she drove to the golf course and sat in the parking lot near the ninth green, thinking she might see him, and when she did, she walked out onto the finely cut grass, waving to him.  He was with two other friends, and he took her aside and whispered harshly under his breath.</span></p>
<p><span style="font-size: small;"> “Couldn’t this have waited.”</span></p>
<p><span style="font-size: small;"> “I saw your picture in the paper.”</span></p>
<p><span style="font-size: small;"> “What about it,” Nathan said.  His friends stood near the cart, drinking beer, their heads leaned together.</span></p>
<p><span style="font-size: small;"> She started to wonder why she’d come here, why she couldn’t have simply accepted what she already knew.  “It just seems a little quick.”</span></p>
<p><span style="font-size: small;"> “Not really.  I met her last year in Texas.  We’ve been engaged for six months.”</span></p>
<p><span style="font-size: small;"> “So I was just someone to pass the time with.”</span></p>
<p><span style="font-size: small;"> He looked above her head toward the road, started to speak, then stopped with the first syllable so that he sounded like a child trying to sound out a word he recognized but couldn’t say.  He stood with his golf club resting over his shoulder and said softly, “Kelsie’s mom and dad are shelling out twenty grand for the wedding, plus a honeymoon to Cancun, and her dad has offered me a job with his company.”  He smiled as if he’d forgotten who he was talking to, let his excitement slip just a moment.  “He owns a truck accessory shop.  Camper shells, tonneau covers, light bars, lift kits.  It’s huge.”  He turned to his friends standing at the cart, and they all nodded, and one of them held down his two middle fingers with his thumb in a heavy metal salute and said, “Hell yeah.”</span></p>
<p><span style="font-size: small;">Lori stood with her arms crossed in front of her chest and said deadpan, “Well, how could you pass that up?  In line to be the next Muffler King of East Texas.  It’s a no-brainer.”  She was breaking apart on the inside, but all she showed was hardness.</span></p>
<p><span style="font-size: small;">Nate said, defensive, “It’s accessories.  Not mufflers.”</span></p>
<p>“<span style="font-size: small;">Excuse me, your highness.”</span></p>
<p><span style="font-size: small;">That was all she had left, middle school comebacks, and turned away.  Nate called her name, and she stopped to see him standing with both arms outstretched, teeth showing in a smile that held nothing but spite.</span></p>
<p><span style="font-size: small;">He said, “What’d you expect, sweetheart,” and could have left it at that, but decided to dig deep.  “There are girls you marry and girls you fuck.”</span></p>
<p><span style="font-size: small;">Lori felt like throwing up and made herself walk to her car, even though she wanted to run sobbing with her face in her hands.  She pulled from the curb, passed the city pool, then sat for nearly five minutes at the stop sign where Park Road crossed College Drive until a car moved up behind her and honked.  She screamed and floored the pedal, never letting up until she realized she was doing sixty on a residential road, tears running down her face in black streams of mascara.  She pulled into the tennis courts behind the college, shut off the car, and stared at herself in the rearview mirror until she was blank of all emotion.  She told herself she could handle a broken heart, said it over and over, and in the following days came to believe it.  And then she missed her period.</span></p>
<p style="text-align: center;"><span style="font-size: small;">***</span></p>
<p><span style="font-size: small;">Lori finishes washing the few dirtied glasses and puts them away under the bar, leaving one out in front of Sweetwater.  She makes him another drink and pushes it toward him, taking away his empty in a single movement.  A few more patrons come in, two city workers and a woman who is a clerk at the water department, and Roger walks to the other end of the bar where they sit, pours their drafts, and starts a conversation.  Lori wipes down her end of the bar, which is empty now, except for Sweetwater.</span></p>
<p><span style="font-size: small;"> “So do you have big plans tonight,” she says to him.</span></p>
<p><span style="font-size: small;"> “You’re looking at it.  Only I hope I’m a lot drunker by the end.”</span></p>
<p><span style="font-size: small;"> She smiles at him, thinking it was a half-joke, but he isn’t looking at her.  She stands for a moment, listening to the furnace’s blower slowly crank up, then starts to walk away to the other end of the bar where the hum of people talking and laughing grows louder.  But as she walks past Sweetwater, she feels his hand on her arm.</span></p>
<p><span style="font-size: small;"> “Two years ago tonight, my son died.”  His grip is strong, almost hurting her wrist, but he doesn’t realize this.  His eyes hold no malice, only pain.</span></p>
<p><span style="font-size: small;"> “I’m sorry,” she says.  Then after a short pause: “How did it happen?”</span></p>
<p><span style="font-size: small;"> He drains his glass, leaving only the whiskey soaked ice, and says, “That’s the real shitter of it all.  He wanted to join the Marines, and I told him he better make no mistake about what they do for a living.  Well, he went on about serving his country and about me being at Khe Sahn and this and that, and I told him, if I hadn’t been drafted, ain’t no way in hell I’d volunteer for that shit.  The only thing I did to serve the country was duck my head for damn near three months, thinking it would be over once the shrapnel hit my brain.  My luck just held out longer than the gooks.”</span></p>
<p><span style="font-size: small;"> Lori stands looking sad and confused, trying to figuring out what war Sweetwater’s son could have seen.  She started to ask, then thought it was a dumb question.  Sweetwater didn’t seem to notice and kept talking.</span></p>
<p><span style="font-size: small;"> “He joined up right after graduation, did real well in his training, kept a head on his shoulders, wasn’t some gung-ho idiot, and I began to think maybe he’d done the right thing.  Then in ’96, he was part of the outfit sent to regain control of the Liberian embassy.  It was a small action.  Most people probably don’t even remember it.  But when he came home, he had a really hard go.  He tried to talk to me about it.  I Guess when they went in, most of what they were up against were little kids with AK-47&#8242;s, which never set right with him.  They would have killed him.  He did what he had to do.  But saying it that way doesn’t change what happened.  He finished out his enlistment, but was drinking pretty heavy by then and had come close a few times to getting kicked out.  I tried to step in as best I could without making him feel worse than he already did.  But after a few months, it seemed like he’d started to get things together a little, at least on the surface; he even talked about going to college, getting something worthwhile out of the situation, and then one night driving back to his apartment, he was going through some road construction where they’d taken it down to one lane over a bridge—it wasn’t late, there weren’t any other cars, and the autopsy showed he wasn’t drunk.  He just lost it.”</span></p>
<p><span style="font-size: small;"> Sweetwater holds his palms up, shaking his head.  “The paramedics said he died instantly, but I don’t know if they just say that so you don’t think they suffered or if it was really true.”  He looks up at Lori, pushes his glass toward her with one finger, and tries to make a smile.  “You think I could get another?”</span></p>
<p><span style="font-size: small;"> She nods and says, “Sure thing, babe,” then takes the bottle down and mixes his drink heavy.  For a moment she feels like crying.  Not for his son, though she’s saddened by the story, but for Sweetwater.  From the day she met him, she didn’t believe he could ever be beaten by anything, and yet here he sits, his eyes red and bleary, his face heavy and aged by grief.</span></p>
<p><span style="font-size: small;"> She places the glass in front of him and says, “I’ll be right back,” touching the back of his hand lightly with her fingertips.  “You be okay for a minute?”</span></p>
<p><span style="font-size: small;"> He changes his voice, trying to sound more like his usual self.  “If the whiskey gets low, I’ll just reach across and pour my own.”  Then he squeezes her hand, lifts it to his lips.  She smiles and walks through the kitchen to the back entrance and pushes open the heavy steel door.  Even with the gray half-light of late afternoon, she squints after being in the dark of the bar.</span></p>
<p><span style="font-size: small;"> She perches herself on an iron railing along the walk and dials her cell phone.  The wind cuts through her clothes, and she realizes it has snowed, though nothing more than a thin powder over the surface.  Her friend Shauna answers on the third ring.</span></p>
<p>“<span style="font-size: small;">I know everything is fine,” Lori says into the phone.  “I just needed to check.”</span></p>
<p><span style="font-size: small;"> The sound of the television plays in the background.  “Sure thing, girl.”  Shauna’s voice is light, indicating her smile.  “We’ve eaten and now we’re watching </span><span style="font-size: small;"><em>Mulan</em></span><span style="font-size: small;">.  No problems.”</span></p>
<p><span style="font-size: small;"> Not long after Lori moved out on her own, she became friends with Shauna Palmer, a divorced twenty-three-year-old cosmetologist who lived in the apartment across the hall, and one afternoon, while Shauna was coloring Lori’s hair at her kitchen table, she offered to keep Sierra at her place overnight so that when Lori came home from the bar at 3 am, she could sleep late into the morning and yet be close by if Sierra needed her.  It was the final step of independence from her parents, and she accepted on the spot.</span></p>
<p><span style="font-size: small;">Lori lights a cigarette and says, “I just needed to call.”  Bits of grass sticking through the snow shudder with the wind.</span></p>
<p><span style="font-size: small;"> “You doing okay?” Shauna says.</span></p>
<p>“<span style="font-size: small;">As well as can be expected.  Tell Sierra goodnight for me, and I’ll see you in the morning.”</span></p>
<p><span style="font-size: small;"> Lori hangs up and stands for a moment, watching an endless black cloud of starlings overhead, seeking roost for the night.  The trees along the riverbank are already full with them, as if the limbs had budded a pestilence, and the world becomes quiet, nothing but the hush of a million birdwings, the scratch of the snow blown against the building.</span></p>
<p style="text-align: center;"><span style="font-size: small;"> ***</span></p>
<p><span style="font-size: small;">By last call, Sweetwater has reached his goal of oblivion and sits hunched on his stool while younger people crowd to the bar to order drinks.  Lori has been watching him all night, always sure to ask him how he is, and in the midst of the loud music and drunken laughter, he never fails to meet her eyes and smile sweetly.</span></p>
<p><span style="font-size: small;"> As the bar begins to clear out, Lori leans in close to his ear and says, “Hang around a minute.  I’ll take you home.”</span></p>
<p><span style="font-size: small;"> The hardest thing about her job is coming home to an empty apartment.  When she was a little girl, she always hated being in empty places without the noise of some human presence other than her own.  On the worst nights, she goes home with some young man who’s sweet or handsome or just quiet and alone, and sometimes she sleeps with them, though she doesn’t always have sex with them, and then she awakens early and checks their wallets for whatever money they have leftover from drinking and takes what she can without cleaning them out completely.</span></p>
<p><span style="font-size: small;"> She doesn’t see this as stealing or whoring but as taking a tip, no different than the money she’s taken across the bar all night.  And least that’s what she tells herself.  Deep down, she fears that it’s some kind of warped act of vengeance against Nathan Barnes and any other man that sees her as a girl to fuck and nothing more.  She keeps this money in an empty coffee can in her freezer, one hundred eighty five dollars so far, and tells herself when there is two thousand, she’ll pack up everything and take Sierra from this place for good. </span></p>
<p><span style="font-size: small;"> At five minutes till closing, Roger tells her to go on home.  She walks out the back entrance to the parking lot where Sweetwater stands leaning against the fender of her car, smoking the last of a cigarette.  He says in a clear voice, “I’m fine, really.  I left my car at home and walked up here.”</span></p>
<p><span style="font-size: small;"> “Well what are you doing standing around out here in the cold for.”</span></p>
<p><span style="font-size: small;"> “I guess if something were to happen to me, I’d be an unsettled ghost knowing it was on your conscience.”</span></p>
<p><span style="font-size: small;"> “Just get in the damned car.”</span></p>
<p><span style="font-size: small;"> He tries to open the passenger’s door but it won’t budge.  “You got me locked out, darlin.”</span></p>
<p><span style="font-size: small;"> She climbs in and reaches across the seat to pull the handle.  He sits slowly, hanging onto the top of the door as he lowers himself against the cold vinyl seat, and she turns the key.  Streetlights shine through the layer of snow on the windshield.  Their breath fills the car.  She clears the glass with the wipers and backs out of the lot.</span></p>
<p><span style="font-size: small;"> They don’t speak other than Sweetwater’s brief directions to where he lives, and soon she pulls in front of an old shotgun house near the railroad tracks that cut through town.  He opens the door, and Lori says suddenly, “Can I walk you in?”</span></p>
<p><span style="font-size: small;"> He sees this as nothing but concern for a drunken old man, but the truth is she’s not ready to be alone.  They walk through the front door of his house, and Sweetwater flips on the lights.  The front room is bare, save for a couch and a small tv set on a coffee table.  She’s surprised at how neat the place is, though it’s obvious a single man lives here: magazines in a stack beside the tv; a large ceramic ashtray on the floor with a few filters lying amongst the ashes; dust over everything.  An open doorway leads to the next room where a single bed sits pushed against the far wall opposite a wooden dresser.  Past that is the bathroom and then the kitchen.  True to it’s name, a gunshot would sail through the front door and out the back without touching anything.</span></p>
<p><span style="font-size: small;"> Sweetwater walks slow, reaching a hand out for steadiness, his eyes barely open.  Lori takes his arm and guides him through the doorway to the bedroom and helps him sit on the edge of the bed.  He looks up at her and manages a smile, then eases down on his side, using his elbow to support his weight.</span></p>
<p><span style="font-size: small;"> “Do you want your boots off,” she says.</span></p>
<p><span style="font-size: small;"> “You don’t have to do this.”</span></p>
<p><span style="font-size: small;"> He closes his eyes and his breathing becomes even, as if he’s fallen asleep in that instant.  She waits a moment to see if he’ll awaken, but he doesn’t stir.  His boots are laced to the top and double knotted.  Lori tries to undo them gently, but she becomes frustrated and tugs at the laces until finally they come loose.  When she slides them from his feet, she expects the smell to be overwhelming, but to her surprise it’s not.  Just boot leather, a faint smell of sweat.  She sets his boots together near the closet and then digs around until she finds an old quilt folded in the bottom drawer of the dresser.  She covers him, pulls a chair into the room from the kitchen, and keeps vigil as one would over the sick and dying.</span></p>
<p><span style="font-size: small;"> A sound like rocks being dropped on the roof grows loud, and she says to herself, “Snow’s gone to ice.”  After a while, she goes to the front room and smokes a cigarette on the couch, crushes it out with the others in the ashtray.  Then, without wanting to, she falls asleep.</span></p>
<p><span style="font-size: small;"> When she awakens, the sky has lightened, though the sun won’t be up for another hour. She smokes again, trying to wake herself up, then leans against the arm of the couch and dozes until the sunlight coming through the window forces her eyes open.</span></p>
<p><span style="font-size: small;"> Lori stands and looks out, a hand-edge flat against her brows.  The trees and powerlines and eaves of houses look as if they are encased in glass.  The chainlink fence running along the sideyard seems made of spider’s webs.  Tree branches like black blood running through veins of crystal.</span></p>
<p><span style="font-size: small;"> She puts on her coat and steps back into Sweetwater’s room.  For a moment she can’t tell if he’s breathing and stands listening like she did for the first months after her daughter was born, longing for a cry so she would know the baby was alive.  Finally, Lori moves beside the bed and puts her hand on his back.  It’s warm, and soon she can feel the slight rise and fall of his breathing, and then without a thought, she tucks the stray strands of hair at his temple behind his ear and rises to go.</span></p>
<p><span style="font-size: small;"> When she crosses the threshold into the living room, he speaks hoarsely:</span></p>
<p><span style="font-size: small;"> “In the box, on the dresser.”</span></p>
<p><span style="font-size: small;"> She turns, startled for a moment, and sees his face above the cover, nodding toward the opposite wall.  She walks over to the painted wooden jewelry box sitting on the top of the dresser, which she assumes had been his mother’s, and opens the brass hinged lid.  Inside is a plain white envelope with the word </span><span style="font-size: small;"><em>Savings</em></span><span style="font-size: small;"> printed in ink on the front, thick with money.</span></p>
<p><span style="font-size: small;"> She goes to the bed and lays it beside him, but he reaches out and takes her wrist gently.</span></p>
<p><span style="font-size: small;"> “I don’t need it.”  His eyes are dark and clear.  “You do.”</span></p>
<p><span style="font-size: small;"> She steps back.  “I can’t.”</span></p>
<p><span style="font-size: small;"> “You’re a beautiful girl, Lori, but there’s more to life than what you’re living.”  He raises the envelope and holds it there until she takes it.  She can’t look him in the eyes any longer and turns her head toward the front door.</span></p>
<p><span style="font-size: small;"> “Now listen,” he says.  “You take that, and you do more with it than just pay the cable bill or buy your little girl some new clothes.  Seems to me it oughta get you a good start on finishing up your schooling.  I know other things seem more important right now, but your daughter won’t remember what you buy for her now.  She will remember what her mama does for a living.”  Lori starts to cry and turns to go, but she stops in the front room.  His voice comes from behind her, low and calm.  “I know that was hurtful.  I don’t mean for it to be.  But I want to say this to you, because I feel there won’t be another chance.”</span></p>
<p><span style="font-size: small;"> She goes to speak, but her voice cracks.  She clears it and wipes her cheeks.  “You’re right, Sweetwater.  But it’s pretty goddamned harsh.”</span></p>
<p><span style="font-size: small;"> “I know it is, honey,” he says.</span></p>
<p><span style="font-size: small;"> She waits to hear him rise from the bed and come to her, wants to feel his arms slide around her, but they don’t.  It seems a long time before he speaks again.</span></p>
<p><span style="font-size: small;"> “They told me that my son’s death was an accident, but I’ve been around too long for that.  You never want to believe how much people lie to you, even the ones who love you.  That was no accident.  I know how he was feeling, been through it, and still I couldn’t say or do anything for him.  He saw that concrete bridgeside, and he knew exactly what it would take.  They said he was going full speed when he hit.  There were no skidmarks.”</span></p>
<p><span style="font-size: small;"> She feels cold standing in the bare room, even in her coat, and suddenly wants to leave.</span></p>
<p><span style="font-size: small;"> “I need to get home,” she says without turning around.</span></p>
<p><span style="font-size: small;"> “Take care of yourself, Lori.  And don’t waste your worry on me.  You’ve got too much living ahead of you for that.”</span></p>
<p><span style="font-size: small;"> She opens the front door and the cold burns her lungs.  She half expects him to say more before she goes out, but he doesn’t, and she shuts the door behind her.  A few starlings walk across the ice-crusted snow, pecking into the surface for food, and a cardinal sits in the branches of a forsythia bush at the corner of the house, bright against the colorless world.  The wind stirs the frozen trees, and she thinks it sounds like bones rattling.</span></p>
<p><span style="font-size: small;"> Inside her car, as it’s warming up, she opens the envelope and counts the money. Thirty-three hundred dollars.  She looks back toward the house and tells herself she can’t keep it, then closes the flap and puts it in her purse.  She backs into the road and tries to pull away without spinning the tires, but they slide easily on the ice, so she lets off the gas and feathers the pedal until the tires grab, and she drives toward her apartment thankful the sun is rising behind her so that she can see.</span></p>
<p style="text-align: center;"><span style="font-size: small;"> ***</span></p>
<p><span style="font-size: small;">When she walks into the Bluff that night, the place is already beginning to fill up.  She scans down the bar, looking for Sweetwater, but doesn’t see him in his usual place.  Roger makes a motion with his head as he mixes a drink, letting her know she’s needed right away.  Then he smiles as if out of pity and looks away.  She doesn’t pay this much attention and quickly gets to work behind the bar, opening beers, making drinks, picking up empty glasses.</span></p>
<p><span style="font-size: small;"> An hour passes before she has time to notice that Sweetwater still hasn’t come in, and she begins to make excuses for him: maybe the mail was heavy today, or he had car trouble, or because of the tough night, he got a late start.</span></p>
<p><span style="font-size: small;"> A man at the far end of the bar waves his arm at her and whistles.  “You think I could get a drink down here, or should I do it myself.”</span></p>
<p><span style="font-size: small;"> She doesn’t answer, only reaches into the cooler and pries the cap off a bottle.  As she approaches him, she hears his conversation with the man sitting on the next stool, the paramedic who was worrying over his exam the day before.</span></p>
<p><span style="font-size: small;"> “I wonder when they’ll advertise his position,” the paramedic says.</span></p>
<p><span style="font-size: small;"> “I figure it’d have to be soon.”  The man turns to take his beer from Lori.  “Thanks, sweetheart.  Next time you’ll have to tip me.”</span></p>
<p><span style="font-size: small;"> She turns without giving it a thought, numb to comments from jerks by now, then hears over her shoulder: “It’s like they say—the mail must go through.  Somebody’s going to have to deliver it.”</span></p>
<p><span style="font-size: small;"> Roger is fiddling with the blender, trying to make a frozen daiquiri, and she stands close beside him.</span></p>
<p><span style="font-size: small;"> She says, “Have you seen Sweetwater today?”</span></p>
<p><span style="font-size: small;"> He presses a button on the blender and the noise from its motor drowns out the jukebox and the people’s voices, and when it shuts off, the regular noise from the bar could be mistaken for silence.</span></p>
<p><span style="font-size: small;"> “Wait a second.”  Roger takes the daiquiri to a woman wearing a black Harley Davidson shirt a size too small.  When he comes back to Lori, he takes her by the arm, and they walk through the swinging doors into the kitchen.</span></p>
<p><span style="font-size: small;"> “You haven’t heard.”</span></p>
<p><span style="font-size: small;"> From his face she knows that something has happened and is not surprised.</span></p>
<p><span style="font-size: small;"> Roger looks through the round plexiglass window in the door, then back to Lori.  “They found him dead around noon.”</span></p>
<p><span style="font-size: small;"> She tries to keep her face from changing and can’t tell from Roger’s expression if she’s done so.  “What happened?”  She had tried to speak quietly, but the sound of her voice is shocking to her.</span></p>
<p><span style="font-size: small;"> “When he didn’t show to work this morning, the post-mistress called his house, and when there was no answer, she called his sub, then went by there over lunch.  His car was in the drive, and she knocked for a while, then tried the knob.  It was open.”</span></p>
<p><span style="font-size: small;"> Lori thinks to herself, </span><span style="font-size: small;"><em>Yes, I didn’t lock it,</em></span><span style="font-size: small;"> but knows enough to not say anything.</span></p>
<p><span style="font-size: small;"> Roger’s face becomes strained.  “He hung himself.  Did it with an extension cord.”</span></p>
<p><span style="font-size: small;"> And at this, Lori begins to cry.  Roger looks on as a man would in this situation, as if he’s gone to far in what he said, that he should have known a woman couldn’t handle that type of detail.  But it isn’t that.  She’d been there with him, and once again she had failed to give the right comfort, the right counsel, and it pushed her to a point of despair where she could no longer hold in her tears.</span></p>
<p><span style="font-size: small;"> Roger puts a hand on her shoulder, and she apologizes and wipes her cheeks.  He pauses for a moment, looks out at the crowd again, and says, “I guess I better get back out there.  No rest for the wicked.”  He squeezes her shoulder to let her know he is only trying to lighten things.</span></p>
<p><span style="font-size: small;"> Lori lets out a small laugh.  “And the righteous don’t need it.”</span></p>
<p><span style="font-size: small;"> Roger shakes his head and returns to his post behind the bar.  Lori watches him, then goes to the back door and steps outside.  The air has warmed a little, the wind shifting out of the south, and the ice has all but melted, leaving a heavy fog over everything.  She leans against the slick railing, then stands quickly, so the damp doesn’t soak through her pants.</span></p>
<p><span style="font-size: small;"> A car pulls into the lot and parks, and a man and woman climb out.  He is older than her, balding, pudgy in the middle, but still he walks confidently beside this young beauty whose hips move so seductively, high heels clicking on the wet asphalt.  And though Lori has never met her, she knows her.  Thinks, </span><span style="font-size: small;"><em>That’s your future, Lori,</em></span><span style="font-size: small;"> and grips the railing with both hands.  Then whispers, “Shit, girl, that’s you now.”</span></p>
<p><span style="font-size: small;"> Lori unties her apron and drapes it over the wet iron, wondering how far away she and Sierra could go on three thousand dollars. </span><span style="font-size: small;"><em>Somewhere with mountains, so that wintertime is beautiful, even with the cold and the snow</em></span><span style="font-size: small;">.  She lights a cigarette and pulls out her phone, holding it in her palm.  The wind raises needles in her cheeks.  The slow bass-thump of a country song bleeds through the walls of the bar, and she closes the phone again without calling and walks to her car.</span></p>
<p><span style="font-size: small;"> On the road to the apartment, the fog is thick, dotted with the haloed stars of streetlights, and Lori imagines loading up her car with her and Sierra’s things and driving west like modern day pioneers, seeking a new start in valley town between snowpeaks.  And then she realizes she’s missed her turn.</span></p>
<p><span style="font-size: small;"> She slams on the brakes and jerks the wheel, thinking she can make it, but overshoots and bumps up onto the curb and onto the sidewalk.  For a moment, she simply looks out the window, listening to the soft hum of the engine idling.</span></p>
<p><span style="font-size: small;"> She rolls down the window to breathe the cold air, and listens to the quiet, and she thinks of the starlings who clouded the skies and filled the air with the screaming, and wonders where they are now.  Wonders if they fly all day with no destination other than to find food and drink and a roost for the night only to do it all over again tomorrow, and then she sees herself standing behind another bar in another town while Sierra stays with someone else every night.  The view out the window is lovely, but the view inside is the same.</span></p>
<p><span style="font-size: small;">And so she moves the shifter into reverse and pulls into the street, trying to calculate rent and tuition in her head, then slowly on to where her daughter waits for her to come home from working at the Bluff for the last time.</span></p>
<p><span style="font-size: small;"><strong><a rel="attachment wp-att-885" href="http://www.friedchickenandcoffee.com/2010/08/09/birds-of-winter-fiction-by-james-alan-gill/fcac-author-pic/"><img class="alignleft size-medium wp-image-885" title="FCAC Author Pic" src="http://www.friedchickenandcoffee.com/wp-content/uploads/2010/08/FCAC-Author-Pic-300x225.jpg" alt="" width="300" height="225" /></a>James Alan Gill</strong> was born and raised in Southern Illinois in a family of coal miners. He holds an MFA in fiction from Southern Illinois University at Carbondale, and his stories have appeared in several journals and magazines, most recently in </span><span style="font-size: small;"><em>Colorado Review</em></span><span style="font-size: small;"> and </span><span style="font-size: small;"><em>Grain Magazine</em></span><span style="font-size: small;">, and will be forthcoming in </span><span style="font-size: small;"><em>Crab Orchard Review</em></span><span style="font-size: small;">&#8216;s special issue </span><span style="font-size: small;"><em>Writing From and About Illinois. </em></span><span style="font-size: small;">He currently lives in Oregon with his wife and two sons, and spends as much time possible sleeping in a tent and hiking trails far from roads, buildings, and groups of people larger than ten.</span></p>
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		<title>Remodeling, fiction by Sheldon Compton</title>
		<link>http://www.friedchickenandcoffee.com/2010/08/02/remodeling-fiction-by-sheldon-compton/</link>
		<comments>http://www.friedchickenandcoffee.com/2010/08/02/remodeling-fiction-by-sheldon-compton/#comments</comments>
		<pubDate>Mon, 02 Aug 2010 15:17:13 +0000</pubDate>
		<dc:creator>Rusty</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[remodeling]]></category>
		<category><![CDATA[sheldon compton]]></category>

		<guid isPermaLink="false">http://www.friedchickenandcoffee.com/?p=869</guid>
		<description><![CDATA[<p>A weak rain fell and settled across Route 6 like a worn out bed sheet so that oil and grease left from the occasional car and several short-bed coal trucks rose back to the surface of the blacktop.  The road would stay slick with the reborn oil until the rain picked up and washed [...]]]></description>
			<content:encoded><![CDATA[<p>A weak rain fell and settled across Route 6 like a worn out bed sheet so that oil and grease left from the occasional car and several short-bed coal trucks rose back to the surface of the blacktop.  The road would stay slick with the reborn oil until the rain picked up and washed it away.  Until then, most of the vehicles slowed down, taking it easy through the horseshoe curve that hugged past Peaceful Murphy’s truck garage.</p>
<p>Most drivers, the ones leaning into the steering wheels of their cars and mini-vans, slowed down to a crawl through the curve.  They knew the old oil mixed with the first sprinkles of new rain was worse than black ice.  So they drove like it was midnight in December.  The short-beds blew past Murphy’s loud and hard, spraying bits of coal the size of quarters from beneath loose tarps.  Paid by the load, these drivers with call names like Spider, Grape Ape and Wild Bill didn’t care if the road ahead was coated in napalm.</p>
<p>When a rogue chunk of coal bounced across Route 6 and skipped to land at the tip of Hank Clayton’s boot, he picked it up and tossed it at a stray dog huddled near the edge of the garage.</p>
<p>“Hank!  That anyway to treat a dog?”</p>
<p>It was his granddaddy, Burl, crossing Route 6 from his house atop the hill on Beauty Street, a short walk to the truck garage and adjacent building, which he owned.</p>
<p>Hank threw his hand up, formally, apologetically, and Burl waved him over to where he stood like a totem pole of flannel and khaki in front of the brick-broken building.</p>
<p>Checking the garage for Murphy or drivers and mechanics and finding it empty, Hank crossed the bramble thickets that separated Murphy’s and his granddaddy’s building by less than ten feet.  When he made it over, Burl didn’t move his gaze from the sagging top of the building.</p>
<p>“We’ll need to start on the roof first,” Burl said and then looked to Hank.  He adjusted his suspenders.  “Gonna remodel this building.  It’s about time, and I need your help.  Particularly on the roof.”</p>
<p>Hank shielded his eyes from the sun with the back of his hand and studied the roof.  The building was two stories and even from the ground he could see boards peeking up from the edge like driftwood, split and blackened, soft as sponge.</p>
<p>“I’m working over here for Murphy now, granddaddy,” Hank said, and motioned to the garage.</p>
<p>“What?  With that bunch?  That’s just tinkerin.  What’s Peaceful got you doin?”</p>
<p>“Spraying down trucks and doing some repairs and so forth,” Hank answered.</p>
<p>“Doin some repairs, you say?”  Burl went to the side of the building and placed his hand there, like a nervous father checking to see if his newborn was still breathing.  “I shoulda taught you weldin,” he said after a time.</p>
<p>“Well, all the same, I don’t mind to help, but it’ll have to be on my days off,” Hank said.  “I’m just working three days a week right now.”</p>
<p>“That gives us three other days to manage with, then,” Burl said.</p>
<p>“Four,” Hank corrected.</p>
<p>“Three.  We don’t work Sundays.”</p>
<p style="text-align: center;">***</p>
<p>Like always, the rumbling crunch and hitch of his neighbor’s car grinding to start woke Hank at just after 7:00 a.m.  Since renting the place more than a year ago, he had yet to use an alarm clock.  Just went back to sleep on days off and got out of bed with the sound of the gutted car engine for days when there was work.  Today there was work.  Soggy boards to be pulled up and replaced and God only knew what else.</p>
<p>He went to the kitchen in the barely light of morning and poured a cup of coffee from half a pot left from yesterday.  A microwave would be nice, he thought, gulping down the cold coffee quickly and cleaning out the cup at the sink.  But then he should have just made a new pot, but granddaddy would be waiting at the building soon and he was a ten minute drive away.</p>
<p>Skipping a shower Hank dipped his head under the sink instead, wetting down the rat nests that had twirled into his hair during sleep.  He toweled off with a  dish rag and combed hurriedly with his fingers, thinking of the ladder, double extended to the roof, a dread settling into his stomach.</p>
<p>He’d never said a word of it aloud, but the building was pretty much a shit hole.  At one time, there was a couple nice apartments upstairs and one downstairs, and a barber shop beside that.  But that had been years and his granddaddy had bought it after all that was gone.  Whatever plans he had, they were put on the shelf a long time ago.  That was until yesterday.</p>
<p>Burl was there before Hank pulled in and work started right away.  It was just after 7:30 a.m.  When a light drizzle started just as they had the ladder positioned alongside the building, Hank secretly began to wonder if he might get a little money for helping.  Some pay could go a long way in covering the rent and utilities and other debts he thought about less specifically, the ones that nagged him especially hard.  Then the drizzle lifted off, back into the clouds, which moved away in a slow bulk across the ridge and dissipated like a swarm of colorless wasps.</p>
<p>The building was a shipwreck raised to the surface just off Route 6 and left alone, no treasure to speak of, no fine discoveries.  From the roof, Hank could see into to what was once the top floor bedrooms, spyglassed through holes that looked as if they might have been the result of boulders falling from the nearby heavens of John Attic Ridge.  There were more than ten of these busted out sections, the roof an opened mouthful of wooden cavities.  And the rot inside was that much worse.</p>
<p>Hank lowered himself steadily through one of the holes during a break, mindful of rusty nails and countless other objects left in dangerous shards from the constant, pushing weight of weather and wind.  Below was a bleached out dresser and he tested it with first one foot then the other until he was positioned solidly.  He did the same with the floor of the old apartment until he was standing in a kaleidoscope of light from the outside world distilled through thousands of hidden cracks in the filmed over windows and plaster-curled walls.</p>
<p>People had certainly lived here.  Families.  In an area that served as a kitchen there were four chairs that seemed blown about the room.  Two tilted against a far wall and the others sat upright but on opposite sides of the room.  There were dishes in a cancerous sink.</p>
<p>Everywhere the floors were trap-door weak.  Hank gazed up at the hole through which he had left the unfiltered sunlight behind as he made his way down a hallway running the length of the apartment.  Not more than five steps in, he moved with caution through a doorway leading to what was once a bedroom.  Claustrophobic in size, it was a child’s bedroom, he figured.  A rectangle of cleaner hardwood suggested a place where a bed might have once been.  In the corner he found odd toys, action figures, arms twisted and gnawed from where rats had rushed through and tested the items for food.</p>
<p>Hank stood for too long examining the toys.  For a crazy moment he wished he might just stay in the room, sleep nights on the clean rectangle, the negative exposure his place of rest.  At dawn he would arrange the toys in the room and sit quietly in the kitchen while the morning opened up the light show through the cracks in the walls.</p>
<p>“Hank!  Let’s get back at it!”</p>
<p>The sound of his granddaddy’s voice ringing out from above, the shuffle of his boots overhead, muted but insistent, pulled him backwards from the bedroom.  He went up through the broken section of roof and spent the next couple of hours forgetting the toys and kitchen chairs.</p>
<p>At lunch, they drove to the IGA for hot dogs with chili made from fresh hamburger and sloppy joe sauce.  By dinner, Hank thought his granddaddy looked tired and finished, and with about an hour of daylight left, he called it a day.  The ladder was retracted and tied to the back of the Datsun truck.</p>
<p>Of the thirty or so squares needed to repair the roof, they had stripped about four and replaced just two rotted boards.  The work with his granddaddy had been uncustomary in its slowness, easy-going and a surprise to Hank.  With the extra time and a decent well of energy left, he decided to drive straight to Jimmy Cole’s poker game on Thompson Fork Road.</p>
<p style="text-align: center;">***</p>
<p>He had stowed away twenty dollars for the buy-in and took the bill out of his shirt pocket as soon as he walked in the door to Jimmy’s tool shop, a rickety structure originally envisioned as a two-door garage which eventually became the poker room and general hideaway.  He was greeted by familiars when he placed his twenty on the table in the center of the room.</p>
<p>“Sure Shot Clayton,” Jimmy said as Hank pulled up a chair.  Hank’s dad had shot a man in the kneecap during a poker game once when the deed to somebody’s house was folded into a large pot in a no-limit hand.  Since all these men had known his dad, Hank had inherited the name Sure Shot right off, the first night he played in the game.</p>
<p>“Who’s winning?” Hank said, counting chips out in four denominations of green, black, red and blue from a silver case on what would have been a fine, metal workbench.  He had noticed Peaceful Murphy sitting in, but left it alone in his thoughts.  This was poker.  Not work.</p>
<p>“Thing’s already started,” Jimmy said.</p>
<p>“Okay if I take a hit on however many blinds and jump in?” Hank asked.</p>
<p>Jimmy looked at the others and they agreed by offering a silent disregard to the question.  Murphy snorted lightly into the air.</p>
<p>The game usually went far into the morning with a tournament style Jimmy implemented after becoming a huge fan of the World Series of Poker on television a few months back.  Before that it was straight money games and dealer’s choice.  Now it was tournaments with timed blind increases and payouts to first and second place.  And always no-limit hold ’em.</p>
<p>“This game’s the Cadillac of poker, boys,” Jimmy said, a cigarette hanging from his lip like some enormously long tooth busted loose but hanging on.  He had just pulled in his third straight pot.</p>
<p>“Lucky tonight, Jim.”</p>
<p>Still stacking his chips even, Hank could tell it was Murphy’s voice offering Jimmy comment.  Jimmy was one of Murphy’s drivers.  The tone, sarcastic and accusatory, irked Hank, and he found himself wishing he would have went on home.  This might not be work, but it was Murphy, and he couldn’t afford to toss away twenty dollars just for getting rattled at the table.</p>
<p>When Hank turned to the table with his chips balanced in both hands he saw Jimmy had already folded his buy-in with the rest, a wound tight roll of bills on a unvarnished table inches, always inches, from his elbow.  He was in the game now whether he wanted to be or not.</p>
<p>“Drove by today and saw you and Burl on that old roof,” Murphy said as soon as Hank was in his seat.</p>
<p>Hank didn’t say much, just agreed, and the game went on in a ruffling of worn out cards and the clacking of clay chips.  Jimmy was getting the best of it, but Hank had built a small stack, picking his spots and laying low.</p>
<p>When Murphy spoke to him again, it wasn’t about the game, no attempt to rattle him from his conservative, grind-it-out approach.  But what Murphy said rattled him all the same.</p>
<p>“Tell Burl I’ll give him ten thousand for that buildin,” Murphy said in a bored voice, the voice he used when doing business.  “As is.  Not ten or twenty months from now after you all finish piddlin with it.”</p>
<p>It was Murphy’s deal and when Hank didn’t answer he stopped the rainbow movement of cards, placed the deck in his left hand and looked directly at Hank.</p>
<p>Hank had hoped to let the comment go, just idle talk he had no real stake in.  Murphy’s continued stare told him that was not to be the case.</p>
<p>“It’s not mine to negotiate,” Hank said.</p>
<p>Murphy snorted again, resumed shuffling.  “Who can talk to Burl about anything these days?”</p>
<p>Four hands later, Hank busted out and drove home thinking of how he should have checked kings on the river instead of pushing against a possible flush, thinking of how to mention ten thousand dollars to his granddaddy.</p>
<p style="text-align: center;">***</p>
<p>Alzheimer’s.  Or Old Timer’s, as the old timers called it.  Early onset, in his granddaddy’s case, but getting worse.  And fast.</p>
<p>On the roof the next morning, Hank worked and thought of what it must feel like to lose memories.  He imagined it would be better in some ways.  But with his granddaddy, it only seemed to be recent memories that were gone.  He remembered everything about his distant past, his days welding to build tipples or fixing machinery on contract at this mine or that mine.  It was the daily things that were slipping.  Mentioning Murphy’s offer was a daily thing, and Hank wondered how it would be handled.  He decided to mention Murphy’s proposal as they loaded into the Datsun, eating their hotdogs as they went.</p>
<p>“Why would I want to do that?  No sale,” Burl said, and pointed to a drop of chili on the seat between Hank’s knees.  “Looks like that hotdog run straight through you.”</p>
<p>Hank wiped away the chili with the back of his sleeve.  “That’s a good amount of money for a building that’s in bad shape,” he said. “You’ll spend more fixing it than Murphy’s offering to give.”</p>
<p>“I welded the gas line all across this ridge, all the way into Fischer County,” was the only response. “I even stayed in Fischer County, a town called Viper, through the week for more than a month.  Came home on the weekends.”</p>
<p>The moment had passed.  Until they arrived back at the building, the present moment was for his granddaddy what Hank imagined must have been a light sandstorm across a memorized landscape, like a room stirred in dust.  A kaleidoscope where objects once sacred were left behind to be fought over by vermin.</p>
<p style="text-align: center;">***</p>
<p>The phone rang before he made it to the couch that evening.  It was Angie.  Her voice seemed distant and thick in the receiver.  In the background, the muffled sound of drumming music told him she was somewhere with a live band.  It was Saturday night and she was asking about child support.</p>
<p>“I’m behind.  I know that,” Hank said tiredly, reclining onto the couch and closing his eyes.  “Tomorrow’s Sunday.  Murphy pays Monday.  I’ll send it to you then.”</p>
<p>Behind closed eyelids Pearl played in the front yard, washed out images almost gone in his mind except her smile and the way she held onto the handlebars so tight her knuckles were white as clean chips of porcelain.  Her smile was his happiness, her fear the knot in his stomach.  Behind closed eyelids he held gently to the small of her back, the tiny muscles tightened there, moving across the bumpy terrain of the overgrown yard, all bravery and joy.  And then her laughter, soaking the outside world in beauty and purpose.  Life in fading images, a scrapbook in his mind sharp at the edges with the shrapnel of his slow-beating heart, images fading not from overexposure to light, but from a dark so deep it glowed in places like the transparent skin of creatures that would never see a morning unfold, never feel a breeze across a summer yard, the clenched embrace of another living thing more important than their own buried existence.</p>
<p>“You there, Hank?”  Angie asked, the drumming beat louder as he figured she was making her way back to the entrance of the bar.</p>
<p>“I’m here,” he said.</p>
<p>“Just send the money to Mom’s address.”</p>
<p>He opened his eyes in the dark.  “When can I see Pearl again?”</p>
<p>“When you get some groceries,” she said, and pushed a dial tone through his ear.</p>
<p style="text-align: center;">***</p>
<p>Murphy didn’t speak of his offer the next day at work.  He was gone for most of the day.  In and then out, but mostly out.  Hank went about his business as usual, but noticed his granddaddy’s building more than before.  No longer was it something his eye passed over.  It loomed against the valley’s ridge line as jagged, still, as the bushy treetops in the backdrop.  His granddaddy never wondered down from Beauty Street and so the building sat undisturbed and mute.</p>
<p>Hank let his thoughts wander during work about the building.  He rekindled the image of the kitchen in his mind, remodeling it there with the Formica table top and only two chairs near the middle of the room just off from the sink, now a fine, shiny white with a silver-finished faucet and knobs .  One for himself and one for Pearl.  As metal clanked in first one tone then another, as air pressure released and the sharp barking of the metal and high hissing of the air mixed with other sounds emitting from the truck garage, Hank moved on to the bedroom.</p>
<p>Pink would burst loose here, onto the walls and then, a shade darker, along the crowning and trim.  The clean rectangle was covered again with Pearl’s canopied day bed and pictures and designs adorned the walls, flowers and butterflies, clowns and kittens.  But most of all Hank placed toys throughout the room.  Stuffed animals and porcelain tea sets, dolls of all sizes, a vanity with a tiny chair for pretend preening, stacks of story books and more stacks of coloring books, an entire corner of the room devoted to these books, complete with a dandelion-colored bookshelf.  The room would always smell of freshly washed hair, the aroma of a bubble bath perpetually lingering, an unseen misting of newness.</p>
<p>Hank rubbed grease across the knees of his pants and nodded to Spider as the trucker crossed the garage on his way to the front office, a shuffle and stomp of girth, his buzz cut hair slicing through the air before him like thousands of tiny razors.  He returned quickly, swinging the connecting office door just hard enough for the hinges to stretch and give simultaneous pops before relaxing back into place.</p>
<p>“Where’s Murphy?”</p>
<p>“Not sure,” Hank answered.  He pushed a truck tire upright and started wobble walking it to a short-bed parked sideways at the entrance.</p>
<p>“Goddamit,” Spider muttered.  “Owes me money.  I’ve held off on payday like this enough.  He’ll have to ask somebody else next time.  Just cause I ain’t got kids don’t mean I can always be the one he asks to hold off when things get tight.  You tell him if you see him he owes me money.”</p>
<p>When things get tight?  The comment surprised Hank.  He eased the wheel to a stop and propped it against his side and turned to Spider.</p>
<p>“Murphy has money problems?” Hank asked.</p>
<p>Spider laughed at this and rubbed the top of his head.  “It’s not exactly that kind of situation, even though I guess it might’ve sounded that way.  Just tell him.  He’ll know just what it is by exactly the way it sounds.”</p>
<p>Laughing again, this time more to himself than out loud, Spider started to the back of the truck where he had wedge-parked his own.</p>
<p>“What kind of situation is it, then?”  Hank called to Spider, but the trucker was already climbing into his cab, cutting off an oncoming suburban as he pulled onto Route 6 and slow-geared away.</p>
<p>Hank rolled the wheel, standing about four feet high between his clutched hands, and leaned it against the parked short-bed.  The driver was a man by name of Caudill, but everybody, like everybody else in turn, used their call names instead.  Caudill’s call name was Torch.  When Hank started on the wheel, Torch appeared from behind a stack of fuel barrels and called across the lot.</p>
<p>“Let Mackey do that, boy,” Torch said.  He was waving his hand.  “Murphy ain’t paying you no mechanic wages.  Why in hell would you offer em up?”  And then to some indistinct distance behind him he called out, “Mackey!  Wheel’s ready!”</p>
<p>Mackey, a thin man with a patchy beard who had worked for Murphy for more than twenty years, in turn appeared from a corner of the garage.  Hank saw Mackey throw a half-smoked joint into a pile of discarded metal fixings, rub his eyes and quicken his pace until it was just him and Hank standing beside the truck.</p>
<p>“Murphy gone for the day?”  It was the first words Mackey had spoken to him in the three weeks Hank had worked at the garage.  Usually he just finished his work, motioned his hand for another part, which Hank was always expected to intuitively know, and then returned behind the garage.  He smoked joints the entire shift and was the only garage employee who could get by with such a thing.  The drivers, it seemed to Hank, did whatever the hell they wanted on the road.  Better for tracking along that napalm and getting another load.  “Murphy gone for the day?”  Mackey asked again, this time louder, upset at having to repeat himself.</p>
<p>“I don’t know,” Hank replied.  He didn’t like Mackey’s tone.  “How am I supposed to know?”</p>
<p>Mackey stared at him hard for four or five uncomfortable seconds and then laughed hard and started on the wheel, motioning with his hand when this or that was needed and Hank complied without comment until Mackey finally settled back and, peering about the lot, took a joint from his shirt pocket and held it lovingly beneath the orange flame of an ageless Zippo lighter.</p>
<p>Hank settled beside him, sitting directly on the ground even though Mackey had made the changed and busted tire his own personal recliner.</p>
<p>“Why would Spider think Murphy is having money problems?” Hank finally asked.  He waited patiently, watching Mackey take a long drag on the joint, hold it for so long when he exhaled there was nothing in the air but air.</p>
<p>“The hell you talkin bout?”  Mackey said breathlessly.</p>
<p>“Spider said he was tired of waiting on his paycheck.  Said Murphy shouldn’t always stick him short when the money was tight,” Hank said.</p>
<p>Mackey laughed hard again, raising his legs into the air and wiggling his filthy boots, the tongues flapping without the benefit of laces.</p>
<p>“What?”</p>
<p>“What, shit,” Mackey said. “I forget you’re green, what a month into the job?  I guess I forget because of your Papaw and all.  Burl could weld and do electric like nobody.”  He stopped and took another long drag and then said again, “Like.  Nobody.”</p>
<p>Just as he was expected to know instinctively what tool or part Mackey might need next, Hank felt that something was coming, a further explanation.  He waited for the harmless old burnout to finish.  But there was a long silence and Hank stared evenly at Mackey, watched him take a last draw from the joint and crush it carefully underfoot.  The old mechanic looked first at Hank and then around the lot again.  Still nobody around.</p>
<p>“This might be some information useful to you, now that I think of it,” Mackey said after the long pause.  “Old Spidey’s woman, Charlene, she’s a whore.  You might get in a lick or two for the right price.  I’ve had a shot or two when times were, you know, rough, like you got.”</p>
<p>Hank stood up, dusting off the back of his pants, feeling metal shavings peel into the palms of his hands.  The metal shavings might have slipped beneath his very skin and made him invisible.  The thought of pulling good timing Mackey off his rubber recliner and knocking him around some passed through his mind, a fleeting fantasy, a daydream, the place he’d been most of the day anyway.  Instead he lazily shook his head and started back to the face of the garage.</p>
<p>“Bullshit,” he said, resting himself now in the dankness of the garage.</p>
<p>Mackey smiled and grabbed a variety of tools, turning back to the wheel for a beat or two and then turned back to Hank.</p>
<p>“Don’t believe me?  Call her up then, greenhorn.  Number’s in the book under Michael and Charlene Hall.  That’s Spider’s real name.  Michael.”</p>
<p style="text-align: center;">***</p>
<p>Dusk settled across the house slowly and Hank watched it fall across the kitchen and then the couch and then the living room floor until he sat in near total darkness.  He was satisfied to see the darkness overtake the room.  The room, the dormant items within the room, brought pain like he’d never felt.  A blue and pink trimmed toy playpen for dolls, Pearl’s dolls, in the corner, now obscured by the dying dusk, was an open nerve in the daylight.  In the daylight he watched over and over again Pearl leaning carefully over the edge and placing her dolls in, tucking them so gently and then pulling them out again to feed and fuss over them, rock them in her skinny, motherly arms, smiling at her gentleness and care.</p>
<p>Ten thousand dollars would bring Pearl back.</p>
<p>Angie would take the money and let him have Pearl.  She didn’t want her anyway, and her parents were tired and old and couldn’t care for a child.  They’d be happy to see either of parents take her in.  Angie would go for it.  Ten thousand dollars would be the shining light of God across this dying room of dusk and pain.  Ten thousand dollars would be his salvation.</p>
<p>Draped across the couch, Hank rubbed his forehead, hoping it wasn’t the pain and hurt making him think crazy.  He looked again, squinting now through the full darkness to make out the toy playpen across the room.  All of Pearl’s toys were still in their place since the last time she came, more than a month ago.  A stuffed animal, a dog she had named Spotty, a toy purse and a pair of princess slippers, a  purple plastic microphone left dead across the coffee table.  He picked up the phone and, instead of turning on a light, flicked his lighter, brought a cigarette to life and then flipped open the phone book.  He found Murphy’s number and dialed quickly.  He focused on the open nerves, driving him forward in the dark.</p>
<p><a rel="attachment wp-att-872" href="http://www.friedchickenandcoffee.com/2010/08/02/remodeling-fiction-by-sheldon-compton/sheldon-pic/"><img class="aligncenter size-medium wp-image-872" title="Sheldon Compton" src="http://www.friedchickenandcoffee.com/wp-content/uploads/2010/08/Sheldon-Pic-300x276.jpg" alt="" width="300" height="276" /></a><strong>Sheldon Lee Compton</strong> survives in Kentucky.  His work has appeared in <em>Emprise Review</em>, <em>&gt;kill author</em>, <em>Fried Chicken and Coffee</em>, <em>Metazen</em> and elsewhere.</p>
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		<title>Leviathan: Monster of the Deep, fiction by Michael Gills</title>
		<link>http://www.friedchickenandcoffee.com/2010/07/29/leviathan-monster-of-the-deep-fiction-by-michael-gills/</link>
		<comments>http://www.friedchickenandcoffee.com/2010/07/29/leviathan-monster-of-the-deep-fiction-by-michael-gills/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 15:05:12 +0000</pubDate>
		<dc:creator>Rusty</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[leviathan]]></category>
		<category><![CDATA[michael gills]]></category>

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		<description><![CDATA[<p>This was the Dixie circuit–it was nothing for a Peterbilt to pull off the interstate with a six hundred pound rat, two-headed goats or a Donkey Woman nursing horsey-faced twins. Leviathan was the first whale me or Jimmy&#8217;d ever seen, coated in a slick layer of cottage cheese looking stuff. It just lay there. No posters of living [...]]]></description>
			<content:encoded><![CDATA[<p>This was the Dixie circuit–it was nothing for a Peterbilt to pull off the interstate with a six hundred pound rat, two-headed goats or a Donkey Woman nursing horsey-faced twins. Leviathan was the first whale me or Jimmy&#8217;d ever seen, coated in a slick layer of cottage cheese looking stuff. It just lay there. No posters of living whales or Shamu with a beach ball on his nose or instructions on how to behave in such a beast&#8217;s presence. Just a bloated whale in a bed of formaldehyde, getting hauled through towns like Lonoke, a skinny boy standing on a plywood platform barking, &#8220;See Leviathan, Monster of the Deep. Today only.&#8221; Right there in the Knight’s Grocery parking lot on a Friday afternoon, people cashing pay checks, pushing silver carts right up to the ticket booth to lay money down and see.</p>
<p>This was springtime, and every barbed-wire fence in Lonoke County was blown over with honeysuckle. I was sixteen, getting driven around in Becky Mallison’s Gold Grand Prix, ZZ Top playing out the moonroof. She was a senior cheerleader with cold black hair, and my mother had hit the ceiling when she’d showed up at the front door in cutoffs and nipples showing through her halter top.</p>
<p>&#8220;Would you like to drive around?&#8221; she asked through the screen door, the car keys jingling in one hand. 1976, the year the great tornado ripped the roof off our post office, so mail got up in the jet stream and they found our stamped letters on the glittering ice fields of Canada.</p>
<p>I said, &#8220;Can I, Mama?&#8221;</p>
<p>O.W., my stepfather, was dead-heading home, his truck emptied of slaughterhouse turkeys.</p>
<p>&#8220;Okay,&#8221; she said. &#8220;If Jimmy goes.&#8221;</p>
<p>Becky said, &#8220;Fine,&#8221; and the three of us walked out and got in her Grand Prix, drove over the railroad tracks and there it was on the left, a slate grey trailer with a scarred head painted on its side.</p>
<p>We cut into the parking lot, cruised into a parking place and pulled the E-brake. &#8220;Want to see?&#8221; she asked, and smiled this wide smile. One of her halter straps had slipped and she was tan already, and her teeth were white and even. My kid brother and I got out, followed her up to the folding table where the truck driver sat with a cigar box, twenty-five cents magic markered on the flap.</p>
<p>My pockets were empty.</p>
<p>&#8220;Here,&#8221; Becky said, and passed over a dollar. &#8220;Go first.&#8221;</p>
<p>I climbed the steps, Jimmy at my heels. Leviathan&#8217;s arrival was an annual deal. Somehow it&#8217;d got out that the thing could commune with the spirit world, so everybody and their momma came to stand in line.</p>
<p>Jimmy pointed. &#8220;These idiots believe it talks to dead people.&#8221;</p>
<p>A lady up ahead of us lay down talking to the whale&#8217;s head. She&#8217;d got down on her hands and knees, put her mouth up close to one of the filmy eyes. &#8220;Daddy?&#8221; she was saying. &#8220;Can you hear me? Are you listening?&#8221;</p>
<p>&#8220;Shit,&#8221; Jimmy said. &#8220;Who&#8217;d p-pay for that?&#8221;</p>
<p>Behind us, Becky said, &#8220;Me.&#8221;</p>
<p>The woman on her hands and knees was crying–the grief was hard on her, you could tell. I wondered what I&#8217;d have to say to the whale&#8217;s head when my time came. I was thinking about the other-worldly feel of getting your ass kicked, how Momma&#8217;s face looked like inside the car the time O.W.’d killed it on a railroad track, got out, shut the door and walked away, how Momma&#8217;d sat there and hummed &#8220;Moon River.&#8221; until he disappeared.</p>
<p>&#8220;They sing,&#8221; Becky said, the three of us up to the twin blow holes now. Above, a sign said Leviathan was also known as Devil Fish, Gray Back, Mussel Digger and Rip Sack. The fifty-foot cow was permanently blind, the sign said, from swimming over mussel beds on her side, scraping up Goliath mouthfuls. &#8220;They can hear each other for a thousand miles.&#8221;</p>
<p>Jimmy and I looked at each other. Outside, somebody racked off muffler glass-packs– O.W.&#8217;s Chevy, it sounded like.</p>
<p>The woman cut us a hard look. Then she turned back to the whale, put her lips to the fetid face and kissed it. &#8220;I know. I know you didn&#8217;t mean to, Daddy. I fer-gid you.&#8221;</p>
<p>It was embarrassing, the whale&#8217;s eyes like greasy saucers.</p>
<p>We didn’t talk on the way home. The car was quiet and hot. Summer was on us. I had a job in concrete–a car was in the works. O.W. was mowing the grass when we got home–that look in his eye.</p>
<p>Becky let us out. &#8220;That lady was bonko,&#8221; she said, looked me square in the face. &#8220;Calling that thing Daddy.&#8221;</p>
<p><a rel="attachment wp-att-861" href="http://www.friedchickenandcoffee.com/2010/07/29/leviathan-monster-of-the-deep-fiction-by-michael-gills/michaelgills/"><img class="alignleft size-full wp-image-861" title="MichaelGills" src="http://www.friedchickenandcoffee.com/wp-content/uploads/2010/07/MichaelGills.jpg" alt="" width="110" height="150" /></a><strong>Michael Gills</strong> was McKean Poetry Fellow at the University of Arkansas and Randall Jarrell Fellow in Fiction in the MFA Program at the University of North Carolina-Greensboro. He earned the Ph.D. in Creative Writing/Fiction at the University of Utah. His work has appeared in <em>McSweeney&#8217;s, Oxford American,Verb 4, Shenandoah, Boulevard, The Gettysburg Review, The Greensboro Review, Quarterly West, New Stories From The South</em> and elsewhere. <em>Why I Lie: Stories</em> (University of Nevada Press, September, 2002) was selected by <em>The Southern Review</em> as a top literary debut of 2002. A 2005-06 Utah Established Artist Fellowship recipient, Gills is a contributing writer for <em>Oxford American</em> and a board member for Writers @ Work. He is currently a professor of writing for the Honors College at the University of Utah, and is marketing a second collection of stories, THE DEATH OF BONNIE AND CLYDE, the title story of which appears in the current <em>Southern Humanities Review</em>.</p>
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		<title>Give Up and Go Home, Jasper, fiction by Charles Dodd White</title>
		<link>http://www.friedchickenandcoffee.com/2010/07/09/give-up-and-go-home-jasper-fiction-by-charles-dodd-white/</link>
		<comments>http://www.friedchickenandcoffee.com/2010/07/09/give-up-and-go-home-jasper-fiction-by-charles-dodd-white/#comments</comments>
		<pubDate>Fri, 09 Jul 2010 13:25:18 +0000</pubDate>
		<dc:creator>Rusty</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[charles dodd white]]></category>
		<category><![CDATA[Fiction]]></category>

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		<description><![CDATA[<p lang="en-US">Jasper is schooling us on the finer points of fisting. It&#8217;s only a touch past midnight and he&#8217;s already managed to lose his camper from going all in on a drastic Texas Hold &#8216;Em flop, praying for a flush that never proved. But now he&#8217;s on to talking about the love he found for [...]]]></description>
			<content:encoded><![CDATA[<p lang="en-US">Jasper is schooling us on the finer points of fisting. It&#8217;s only a touch past midnight and he&#8217;s already managed to lose his camper from going all in on a drastic Texas Hold &#8216;Em flop, praying for a flush that never proved. But now he&#8217;s on to talking about the love he found for this seventeen year old barmaid after his wife started taking the dick from a Tennessean named Kilowatt, a guy who got his silly ass nickname because he&#8217;s an electrician, and maybe too, I&#8217;m beginning to wonder, because he can deliver a worthy prod. Though this isn&#8217;t what&#8217;s bugging Jasper, because Jasper&#8217;s a plain fool for forgiving his own cuckolding when it comes square up against the magic he says he&#8217;s found with this girl Janelle and her slender greased digits. Fingers of salvation, is what he calls them, smiling and sweating a little.</p>
<p lang="en-US">This is not a conversation possible without dope and shame. Jasper knows this, and he&#8217;s helped himself to Jackson&#8217;s brick of hash. By damn God, if I could catch up with him, but Jackson&#8217;s only a drinking buddy and not much else, so I&#8217;m not about to press my luck with what I&#8217;ve still got wagered on the table. But Jasper&#8217;s lost in the music of his own speech, and soon enough, all of us are growing bored and mean.</p>
<p lang="en-US">“You mean you make that little ole girl ram her Christian hand up your butt?” This coming from Skintone, his yellow neck bulging from his shirt collar like case meat. “That&#8217;s Goddamned Godless. I ought to put the law on you, Jasper.”</p>
<p lang="en-US">But Jasper will not let the romance be sullied. His eyes leak manly tears. He pleads. Jackson, unimpressed, heads over to the porch fridge and yanks out a pint of chilled vodka and pours out four glasses, setting them down at our open hands.</p>
<p lang="en-US">Now, to appreciate this, you&#8217;ve got to lay eyes on Jasper. He&#8217;s not a small man, but a soft mountain of toneless matter, skin moist as a worm. And this girl, this Janelle Hicks, is herself no teenage apocalypse. Skinny through the hips with a bad limp. When she comes at you quick, it&#8217;s spot on for a loosed asylum patient. But if we are to hear his version of the story right, this is our Lancelot and Guinevere. Our triumph and destiny.</p>
<p lang="en-US">“No, no,” Jasper hollers through his crying. “These are the truest plights of a good man&#8217;s heart. No law. . .no law of nature is broken here.”</p>
<p>It is hot, humid for nighttime in the mountains, and the mosquitoes are thumping us something wicked. Jasper was supposed to buy citronella sticks, but he says the store was out. It&#8217;s possible, I guess. At least he didn&#8217;t pass up the bag of lemons Skintone demanded, the sucked rinds now sloughed into the ashtray alongside the bashed teeth of unfiltered Camels. That&#8217;s where Skintone gets his color from, sucking on those grocery store lemons night and day, drawn to them like sin.</p>
<p lang="en-US">Skintone flings his cards on the table, curses us all blind and kisses his vodka. I&#8217;ve never once seen this religious fool so sober and each lick of drink seems only pushes him closer to clarity. We all spend a while sitting and listening for each other&#8217;s human sounds.</p>
<p>“You know what I have a mind to do,” Jackson says, not really talking to any of us so as the face of his own whim. “But to go out and run us a fox.”</p>
<p lang="en-US">Skintone snaps his eyes up from his mood. “Shit, how long&#8217;s it been since you worked them dogs? Four, five months?”</p>
<p lang="en-US">Jackson tips back in his chair, his hands joined over the back strap of his baseball cap, a pose that might just be enough to hold his brains in.“That doesn&#8217;t have nothing to do with it.”</p>
<p lang="en-US">I know we have no choice but to follow once Jackson begins to talk this way. He is our head, our heart, and we amble after his signals like numbed legs. I gather my car keys and billfold in my pocket while Jackson steps around to the backyard where the dogs are already alive and yammering, sensing something in the night air.</p>
<p lang="en-US">“I need to ride with you,” Jasper says to me.</p>
<p>“What do you mean, you <em>need</em> to?” Skintone spits. He&#8217;s raging with a deep, sinister calm.</p>
<p lang="en-US">“That&#8217;s not your concern,” Jasper whispers back at him, taking me by the elbow as we walk out toward the edge of the brick hard yard. I can smell dog shit out here somewhere.</p>
<p lang="en-US">I know where Jackson will want to hunt. Spellman Holler: about fifteen minutes outside of town, not far from where the old derelict Sanction County railyard has become a simple steel ache in a history only slightly brighter than this one. It is the place we all go when we go down to forget ourselves and what we lost some place just beyond faithful memory. We go to get drunk and hate one another for being caught alive together in this world and convince ourselves it is all because we love each other like brothers.</p>
<p lang="en-US">There is a steady watershed out there in the holler. Runoff courses the plumbed vertical shale, and after a good rain you can hear the sluice coming down like breathing from the mountains&#8217; darkness. It is a kind of joyful death.</p>
<p lang="en-US">The car engine shudders and the valves rattle before the idle eventually roars and steadies. We lurch forward as I spin a wide circle, the CV joints popping like an old man&#8217;s knees. The night is washed with the vodka and my eyes search the road and the melted sweep of the treeline gusting past. I have my own bottle beneath the seat, and I bubble it twice or more as I drive on. I hear Jasper talking, but the words are queered. Something has fallen from them, defused by the fact of his steady whimpering. I have never heard a grown man cry for so long at a stretch. Of all that I hear, the only sounds that I register are her name and that word that is supposed to mean everything.</p>
<p>“<em>Love is. . .is love</em>,” he moans.</p>
<p lang="en-US">I know this. Every fool does. But true enough, I can see the genius of Jasper in the moment, the reason he is locked in fat flesh and womanish bones. He has conjured something dear from himself and I find him so suddenly beautiful it is hard not to kiss him full on the mouth. The urge is so strong I swerve wide in the bend, kicking gravel high off the shoulder, dinging the bullet riddled octagon of a stop sign. The back end of the car switches for a moment and then runs straight and true once the tires gain traction. We ride. The vodka drains.</p>
<p lang="en-US">Some impulse guides me to the place where I know we will find Jasper&#8217;s love, stooped over beneath Christmas lights strung from dented wainscoting, hustling neat booze to the late night drunks on a round plastic tray. Her uncle&#8217;s bar, where she works for nickels and catcalls. To this gloomy keep, we ride. Oh, Janelle, the lover rushes to you, my sweet!</p>
<p lang="en-US">I may be drunk. I may be. I nose into the gravel lot and meet Jasper&#8217;s amazed eyes.</p>
<p lang="en-US">“Take her, love her,” I say. “But hurry up.”</p>
<p lang="en-US">Jasper falls out of the car door and cuts his temple on the steel edge, ribboning his skull like a present, but he does not falter. He does not tarry. He careers ahead. Though I stay in the car, my love is with him, carried on his sallow sweating shoulders. In my mind I can see the sedated faces turned towards him, the gaping holes of their voiceless outrage. I can see his wan, female prize, wearing a cocktail apron and blushing coyly beneath her acne, eager to be whisked away to sylvan boughs and a gentle, loving rape.</p>
<p lang="en-US">I am driving again, forgetting them, rolling slowly out when Jasper beats upon the trunk of the car. I remember to stop, letting him and sweet ugly Janelle fling themselves into the back seat, their feet caught and dangling for a moment before I lurch forward and the door swats shut. They make sounds with each other&#8217;s poor bodies as I drive on toward the holler, the proof of their love delivered in a sharp chemical truth that begins to tell in my nostrils.</p>
<p lang="en-US">When we meet the holler, Jasper and Janelle have righted themselves. I watch them in the rear view mirror as they match buttons and calm their displaced hairs. The car is humid inside.</p>
<p lang="en-US">Skintone and Jackson are already here, getting the dogs out of their kennels. When he sees us, Skintone comes forward with a lemon peel smile, but his words are not friendly.</p>
<p lang="en-US">“What in the hell, Jasper. You bringing jailbait out here, now?”</p>
<p lang="en-US">“Stop your bitching,” Jackson says. “Let&#8217;s get out in the woods.”</p>
<p lang="en-US">So we do, moving down towards the treeline with the dogs thumping forward, eager for scent. We will not follow. That is not the nature of the hunt. Instead, we will build up a fire and put out sweating bodies next to it, heating ourselves to the point of pain because that is what we have always done. Because that is what the fox hunt is. That and listening to the long bays of the dogs as they crash through the distant dark. We will do that and carry our minds through the night after them as they chase the victim to ground. There will be no death, because death would end the trial too soon. Death would interfere with the love of torment, in both the dogs and the men, and that is something no one wants to happen.</p>
<p lang="en-US">Skintone snaps sticks and erects a small temple of kindling for burning. Jackson touches a spurt of flame from his cigarette lighter and we watch as the flame crawls up and begins to live. Soon, bigger deadfall is added, the ugly broken gifts of stormwreck. In time, the dogs cut a scent and start bellowing. Soon, I am lost to the tango of the building fire. The voices cross in the pale pulse where we all sit, but I do not say a word.</p>
<p lang="en-US">The dogs will run the length of the holler. They will run it and be deceived when the fox cuts a clever retreat, but they will run it again, venturing everything to bring the prey to bay. I have always known this because I have been alive forever.</p>
<p lang="en-US">I will not do anything now. I will not stand up to defend the weak when they are assailed. I will remain here, cut to the bone by the nearness of the fire when Skintone reels back and slams the vodka bottle against a stone. He will charge at Jasper, screaming the wrath of Christ to come, the wages of all sins of the flesh descending. He will spit his lemon peel from his jaundiced face, the pure sour triumph as the blood rises. Jackson will look away and listen for the dogs and Janelle will remain small and present, a mere figurine in rags. But I will not do anything now, though I am a defender of love, of the cock and the cunt. I am a defender of all the machinery of happiness.  But that will do little to calm Skintone&#8217;s raging certainty. He is an admirable monster to me. None of us can do anything to stop him as he comes at Jasper, striking savagely at him with the complete true pleasure of an emptied and righteous heart.</p>
<p lang="en-US">
<p lang="en-US">
<p lang="en-US"><a rel="attachment wp-att-596" href="http://www.friedchickenandcoffee.com/2010/05/18/charles-dodd-white-interviewed/doddwhite2/"><img class="size-full wp-image-596 alignleft" title="doddwhite2" src="http://www.friedchickenandcoffee.com/wp-content/uploads/2010/05/doddwhite2.jpg" alt="" width="196" height="202" /></a></p>
<p><strong>Charles Dodd White</strong> was born in Atlanta, Georgia in 1976. He currently lives in Asheville, North Carolina where he teaches writing and Literature at South College. He has been a Marine, a flyfishing guide and a newspaper journalist. His fiction has appeared or is forthcoming in <em>The Collagist</em>, <em>Night Train</em>, <em>North Carolina Literary Review</em>, <em>PANK</em>, <em>Word Riot</em> and several others. His novel<em> Lambs of Men</em>, a story of a Marine Corps veteran of World War I in Western North Carolina, will be published by Casperian Books in Fall 2010. He is currently at work on another novel and a collection of short stories.</p>
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		<title>The Mountain Whose Shadow We Lived In, fiction by Jack Boettcher</title>
		<link>http://www.friedchickenandcoffee.com/2010/06/24/the-mountain-whose-shadow-we-lived-in-fiction-by-jack-boettcher/</link>
		<comments>http://www.friedchickenandcoffee.com/2010/06/24/the-mountain-whose-shadow-we-lived-in-fiction-by-jack-boettcher/#comments</comments>
		<pubDate>Thu, 24 Jun 2010 20:04:01 +0000</pubDate>
		<dc:creator>Rusty</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[jack boettcher]]></category>
		<category><![CDATA[the shadow whose mountain we lived in]]></category>

		<guid isPermaLink="false">http://www.friedchickenandcoffee.com/?p=731</guid>
		<description><![CDATA[<p>My kid transferred through every school on our side of the mountain. Only six, but a fighter. I didn’t teach him that. The principals ask, – “well, Mr. Doppler, where might Fred have learned to lash out?”  Nature, I say. Too much violence on this mountain – electrical storms and rockslides and predation, balled [...]]]></description>
			<content:encoded><![CDATA[<p>My kid transferred through every school on our side of the mountain. Only six, but a fighter. I didn’t teach him that. The principals ask, – “well, Mr. Doppler, where might Fred have learned to lash out?”  Nature, I say. Too much violence on this mountain – electrical storms and rockslides and predation, balled insects wriggling in spider’s silk.</p>
<p>Caroline heard of a different school in Bonham, some charity deal. My kid didn’t need anyone’s charity. But the authorities said they would arrest Fred next time he fisticuffed on school property. They would put him in juvenile. They’d relish that record-breaking youngest arrest in all of Tennessee.</p>
<p>Caroline pried open the teakettle and palmed the wad of bills. It’d shrunken. We vowed not to argue. Bad example for Fred. So we packed all we had into the truck and lumbered up the hump on the one road that crossed that mountain, a steep and pitted trace no longer maintained by the state. We ripped through bramble and green switches, shedding useless heirlooms. From the dizzying ridgeline, gravity showed us to Bonham.</p>
<p>Still whiplashed, we settled into life on the wrong side. Our neighbor walked a big cat – maybe a panther – on a leash. It was a dog’s leash and we saw it strain into the cougar or panther’s pulsing neck. This guy ran a small zoo in the woods behind his property and he looked mean, and we knew his kind of operation: cramped wire cages, no concern for the natural habitats. But he was friendly, too, mean-looking and friendly. Fred wanted to pet the panther so we waved and the zookeeper waved back, hand trailing smoke into the blue, and Fred put his hand out too, trusting both stranger and beast.</p>
<p>One morning Fred came home early from school, a note pinned to his shirt so he wouldn’t lose it. We knew this. The note would list what it didn’t mean when your kid got infested with lice. It didn’t mean: a) your kid was (necessarily) dirty, b) you were (necessarily) bad parents. The note soothed: all who live around the mountain, it said &#8211; rich or poor, owner or laborer – could suffer the peculiar biogeography of the region, its summers perfect for invasive forms of life.</p>
<p>I had ticks in my bed that summer, and ivies creeping through the slits feral cats clawed in the screen. The note on Fred’s shirt also requested a meeting at the school. This was unusual, but the Bonham way I guess. In the meantime, we distracted Fred from the itching. We asked him about school.</p>
<p>“We had to write our life story,” Fred said.</p>
<p>“What life story?” Caroline said, “He can barely write and he’s been asleep for nearly half of it.”</p>
<p>“His is a story of dreams,” I said.</p>
<p>“And then we had to write about our heritage,” Fred said, “but I didn’t know what to write so I drew the sun.”</p>
<p>Caroline and I agreed that we should tell Fred the truth about his heritage. How a strange parasite once divided the peoples of the mountain. How the patriarchs of those days quarantined the sick hosts on one side, kept the healthy half on the other, and designated the summit a sort of peace wall where the two camps could dump their trash, each inching the heap toward the downward camber of the other’s side. There were episodes of cross-mountain raiding, looting, and intimidation, we told Fred, our eyes widening as we made raiding and pillaging gestures with our arms. We delighted in embellishing the story, but I no longer knew how much of it I believed, and I realized that I could no longer discern my<em> </em>father’s embellishments from the rudiments of the older story.</p>
<p>I only knew my embellishments with any certainty. I told Fred that since we were dealing with history, he needed to know that the story might split and braid into stories. Inevitably someone would lie to him. This was when Caroline rolled her eyes, but I was getting excited now. There were conspiracy theories, I told Fred, which were accepted in certain circles on both sides of the mountain. One of them involved my employer, I told Fred, and I’d have to relate it in a whisper for fear of spies. I asked if this excited Fred. This excited Fred terribly.</p>
<p>The theory speculated that the balloon factory in the valley kept  its own historian on staff, and that this bored man invented the parasite – going so far as to forge research abstracts, microbiological data, and an illustration of the magnified worm.</p>
<p>Speaking in my normal voice again, I told Fred that these theories were largely discredited, because the balloon factory has done so much for the communities on both sides of the mountain.</p>
<p>I’d told Fred someone would lie to him, and now it was true. It’s hell, toiling to manufacture the symbols of someone else’s party. For a pittance, too.</p>
<p>“Which side were we – did we have worms?” Fred asked.</p>
<p>“No one can agree about that, son, and our ancestors left no written history. They were too busy surviving.” I pumped my fist to emphasize this point. “Surviving,” I repeated, “that’s our heritage, Fred.”</p>
<p>I met with the principal. He was some kind of monk. “You don’t want us to kill the lice?” I said.</p>
<p>“This is a Jain school,” the monk said. “We believe that every living being has a soul. We also think it would be a good lesson in patience if you used our alternative method. For your son, I mean. Compassionate removal is painstaking but ultimately quite freeing, Mr. Doppler.”</p>
<p>“Thank you,” I said, “for that.”</p>
<p>I couldn’t complain much. The Jainism seemed to calm Fred. Night, and the frogs in the gutters throbbed close against the rent house, their song pinching deep into the metal. None of the beasts of the wood could tell we’d moved in yet. .</p>
<p>Fred asked why he had lice. I had to think of something. “It is the waters we swim,” I said, “the mountain whose shadow we live in. Mt. Parasite, after all.”</p>
<p>We still weren’t connected to the grid, so we lit the storm candles and cracked the windows.  Caroline sat Fred in her lap and starting drawing the dead dog’s flea comb through his hair, drowning each louse in a glass of water with a blot of shimmering soap in it. Caroline was painstaking, her tongue peeping out in concentration, her pupils sharp in the dark. “You’re not supposed to kill the lice,” I said. She looked beautiful killing the lice. She shrugged her bare shoulders and the zookeeper passed before the open window, pretending not to spy on our infestation.</p>
<p>The parasitic is especially taboo here – to call someone worm is the slur of the century. We all know that soon the balloon factory will outsource and float across the sea, and we’ll be left with nothing but this old rock of gneiss. It changes too, but slowly. We’ll have a little money from the government. We’ll have our cool mountain midsummer nights.</p>
<p>We have to live together and all that jive, even in mountain ranges whose histories are defined by isolationism, retreat– I try to teach my kid that, as is apparently required of me. But already he senses the subtle vocal timbre of doubt in every platitude we hand him.</p>
<p>“I never see anyone go back there – do you think it’s really a zoo?” I asked Caroline, as she picked the nits from Fred’s scalp.</p>
<p>“No,” she said.</p>
<p>“Me neither,” I said. “Wonder what he’s hiding.”</p>
<p>As the zookeeper moved farther from the window, we could see him riding his big cat like a horse up the mountainside.</p>
<p><strong><a rel="attachment wp-att-732" href="http://www.friedchickenandcoffee.com/2010/06/24/the-mountain-whose-shadow-we-lived-in-fiction-by-jack-boettcher/boettcher/"><img class="alignleft size-full wp-image-732" title="boettcher" src="http://www.friedchickenandcoffee.com/wp-content/uploads/2010/06/boettcher.jpg" alt="" width="300" height="225" /></a>Jack Boettcher</strong> is the author of the chapbook <em>The Deviants </em>(Greying Ghost Press, 2009), and recent work appears or is forthcoming in <em>Fence, Gulf Coast, Pleiades, Puerto del Sol,</em> and other journals. He lives in Austin.</p>
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		<title>Old Fish, by Nathan Tyree</title>
		<link>http://www.friedchickenandcoffee.com/2010/04/15/old-fish-by-nathan-tyree/</link>
		<comments>http://www.friedchickenandcoffee.com/2010/04/15/old-fish-by-nathan-tyree/#comments</comments>
		<pubDate>Thu, 15 Apr 2010 13:05:30 +0000</pubDate>
		<dc:creator>Rusty</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[nathan tyree]]></category>

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		<description><![CDATA[<p>Down here the mining companies built the towns. Everyone owed their living to the minerals coming from the belly of the earth. Even if they didn&#8217;t swing a pick in the dark, they worked at one of the rooming houses, shops, or saloons that the miners needed. As things will, the shaft mining dried up. [...]]]></description>
			<content:encoded><![CDATA[<p>Down here the mining companies built the towns. Everyone owed their living to the minerals coming from the belly of the earth. Even if they didn&#8217;t swing a pick in the dark, they worked at one of the rooming houses, shops, or saloons that the miners needed. As things will, the shaft mining dried up. The bosses brought in giant electric shovels for strip mining and most of the miners, no longer needed, left to find work on farms or in factories. The big shovels tore wounds in the earth. to get to the coal, nickel and Galena hidden below. Those giant ruts stayed and eventually the sky filled them and they became lakes that would outlast the companies responsible for them. Around here they call them strip pits. Some of the pits were fed by streams and with the rains came the fish. They grew in abundant variety and every young man was expected to make his first catch in one of those pits. The giant shovels, abandoned, were left to rot where they stood; not unlike the miners that predated them.</p>
<p>When I was five my dad took me on my first real fishing trip. He would have gotten to it earlier, but he had spent most of my life on the road building a pipeline to move natural gas across the country. We took his little flat bottomed row boat out to County Pit 23 and shoved off into the water. He rowed while I looked around at the oak and elm trees that lined the banks. I was trying to spot a sassafras tree so we could dig up some root and make tea that night. My best memories of my dad up to then were of boiling the root, straining it then adding just enough sugar before we huddled together on the couch and watched whatever mindless thing the TV had to offer.</p>
<p>Dad found a good spot and handed me my rod. It was a trusty Zebco 33. His was fancier. We were after catfish and flatheads so we used chicken liver as bait. Chicken liver is great for catfish. When it hits the water the blood spreads and swirls and the smell moves out like a signal. Catfish are drawn like sharks from hundreds of yards away. Shad works well too, but you can never get the stink off your hands.</p>
<p>Dad popped the top on a can of Pabst and cast his line. Something hit almost immediately. He struggled a bit, then pulled in a small cat. It was too little, so he tossed it back.</p>
<p>“Grow some more, little man,” he said to the fish as he let it slither back into the murk.</p>
<p>Two hours of that and dad had hooked three good sized cats. All I had managed to catch was a baby drum, which I badly wanted to keep.</p>
<p>“No, son,” the old man said, “we’ll come back and catch him when he’s all grown up.”</p>
<p>I asked for help rebaiting my hook. Dad linked the liver over my hook then I cast into a shady spot near the bank and waited. Minutes passed. I kept watching the bank, wanting something to happen. Then my line went tight. Something big. I thought that I had the daddy of all catfish on the end of that line. The thing wanted to pull me into the water as badly as I wanted to pull it out.</p>
<p>Dad grabbed my arms and helped steady me while I fought. When the thing cleared the water I was terrified. The thing looked like a legless crocodile with fins. It was part monster, part dinosaur and part fish and I knew that it wanted me. Its  dead eyes spoke of reptilian hunger and prehistoric rage. This was that creatures’  planet and he wanted it back.</p>
<p>I took hold of the rough thing and tried to work the hook out of its razor jaw. My fingers went too deep and I felt the fire as the sharp teeth sipped through my flesh. Blood seemed to be everywhere and dad moved so fast that the boat almost overbalanced. He tore the thing from my hands and cut the line with his pocket knife. The monster slithered back into the murky water with tangles of my skin still hanging from its teeth.</p>
<p>I watched the gar until it vanished into the mud and knew that I would never swim in that pit again.</p>
<p style="text-align: left;"><a rel="attachment wp-att-528" href="http://www.friedchickenandcoffee.com/2010/04/15/old-fish-by-nathan-tyree/tyree/"><img class="size-medium wp-image-528 aligncenter" title="tyree" src="http://www.friedchickenandcoffee.com/wp-content/uploads/2010/04/tyree-300x225.jpg" alt="" width="300" height="225" /></a><br />
<em><strong>Nathan Tyree</strong></em> is a writer from Kansas. He has been widely published in print and online. He edits <a href="http://www.trickwithaknife.com/">http://www.trickwithaknife.com</a> and drinks.</p>
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		<title>Blood Brothers by John McManus</title>
		<link>http://www.friedchickenandcoffee.com/2010/03/29/blood-brothers-by-john-mcmanus/</link>
		<comments>http://www.friedchickenandcoffee.com/2010/03/29/blood-brothers-by-john-mcmanus/#comments</comments>
		<pubDate>Mon, 29 Mar 2010 18:31:39 +0000</pubDate>
		<dc:creator>Rusty</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[blood brothers]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[john mcmanus]]></category>

		<guid isPermaLink="false">http://www.friedchickenandcoffee.com/?p=488</guid>
		<description><![CDATA[<p>I first met Ray up in the mountains at the I-40 rest stop, where I used to go to meet guys sometimes. I found him leaning against a wall, albino-pale, with these watery fish eyes. We messed around in a stall for a bit, and then he told me to meet him at the red [...]]]></description>
			<content:encoded><![CDATA[<p>I first met Ray up in the mountains at the I-40 rest stop, where I used to go to meet guys sometimes. I found him leaning against a wall, albino-pale, with these watery fish eyes. We messed around in a stall for a bit, and then he told me to meet him at the red truck out by the ravine.</p>
<p>In his truck cab he produced an uncapped light bulb. Below us roared the Pigeon River. &#8220;Keeps you up,&#8221; he said, &#8220;as in hard,&#8221; and I yelped when it burned my fingers. He barked a joyless heh. We got to talking: his wife was Sheila and mine was Lisa, and his kids were Ray Jr and Angel and I don&#8217;t have kids. After we were too high to talk I guess I told him to start driving. Two days and we were in Tulsa. Now it didn&#8217;t matter if the bulb was hot; the burn felt good. Sometimes he&#8217;d smack me upside the head, which we both liked. He asked what I&#8217;d do if he broke my arm.</p>
<p>&#8220;Go to the E.R.&#8221;</p>
<p>&#8220;But to me.&#8221;</p>
<p>&#8220;Break yours back?&#8221; He nodded like it was the right answer. He knew this stuff; so did his wife, who had more sense than to do what Lisa does, which is report me missing. Six days after I&#8217;d met him we rolled back into Pigeon Forge to find the cops at my place. &#8220;Drive,&#8221; Ray growls, so I did. Halfway up the mountain he pulled a sheath knife out and held it to my throat. &#8220;You&#8217;ve been filming me,&#8221; he said. &#8220;I don&#8217;t care if it&#8217;s your wife that called; they&#8217;ve seen the film.&#8221;</p>
<p>He was giving off this ugly leaden smell, and I could feel blood draining down through me, through my neck. &#8220;Thought it was you filming me, Ray.&#8221;</p>
<p>Ray looked behind us as if back toward Oklahoma, lowered the knife, and said, &#8220;Makes you jumpy.&#8221;</p>
<p>&#8220;Lisa, she was the one.&#8221;</p>
<p>&#8220;If you&#8217;re a cop, you&#8217;re a brave cop.&#8221;</p>
<p>He motioned for me to face him. When I did, he put the knife to my wrist and cut it open. My yell came out as a heh like his laugh. He did the same to his wrist and pressed them together. He said it was a Bowie knife from the Indian Wars and we were blood brothers. I said, &#8220;But what about&#8230;&#8221; and the loons hollered and he said if you catch it, you get the flu, is how you know.</p>
<p>At his house, a log cabin, a girl was jumping on a pogo stick. &#8220;Call if you get the flu,&#8221; he said, but then I left without his number. Back home Lisa ran barefoot into the mud and beat her fists on my chest. &#8220;I don&#8217;t know,&#8221; I told her as she carried on, &#8220;I woke up an hour ago outside the hospital.&#8221; Next thing I knew I was in the paper, which upset my ma. When I was twelve, she&#8217;d had a heart attack, and from that day on she went to church and never smoked. Lisa always told me &#8220;you&#8217;re lucky your ma&#8217;s so young&#8221; but truth is she wasted it on that heart attack. Anyhow she arranged for tests, my ma, and I set off meaning to have them, but on a billboard I saw a girl with black teeth under the words &#8220;Meth Destroys.&#8221; Something gunned in me like a jake brake and I decided to find that girl, get her high. I went to Ray&#8217;s and he walked out in his boxers followed by his wife. &#8220;You slept?&#8221; he said.</p>
<p>&#8220;That was a week ago.&#8221;</p>
<p>&#8220;So you slept.&#8221;</p>
<p>&#8220;Can I come in?&#8221;</p>
<p>There was this Cherokee in their house, and the four of us messed around while a pit bull watched from a cage. Next thing, the Cherokee was leading Sheila and her kids away. &#8220;I&#8217;ll never see those kids again,&#8221; Ray wept.<br />
I wondered if I&#8217;d missed something. &#8220;Is there more?&#8221;</p>
<p>&#8220;You want to be my bitch?&#8221;</p>
<p>&#8220;What do you mean?&#8221;</p>
<p>He reached over, stuffed my balls between my legs, and said, &#8220;My bitch.&#8221; We drove across to Cherokee and played slots until we had cash to start cooking again. He had me wear Sheila&#8217;s panties when I went out for Sudafed. Law makes you buy just a little at each store but it adds up. So does the money, and we were broke when AT&amp;T offered ten thousand to let them put a tower on Ray&#8217;s land. They disguised it like a pine and birds nested in it like it was any other tree. Ray would come upstairs with these water bottles and say go for a bike ride. In my bottle cages they sloshed around and mixed up while I tried to climb Mt. Cammerer. Each day I got a little closer to the top. The day I made it, there was a green cloud like an anvil moving across the valley. It hit me with a spray of mist and then I was opening a bottle, offering it my mix. A car sped by and I chased it down the slope and caught it, flipped it off, sped home to Ray.</p>
<p>&#8220;Where&#8217;s the other bottle?&#8221; he said.</p>
<p>I seized up: I&#8217;d left it at the summit.</p>
<p>&#8220;You drink it?&#8221;</p>
<p>&#8220;Can you drink it?&#8221;</p>
<p>&#8220;Well, you&#8217;ll die.&#8221;</p>
<p>At first I believed I really had. &#8220;Guess that&#8217;s your punishment,&#8221; he said.</p>
<p>&#8220;Don&#8217;t you care if I die?&#8221;</p>
<p>&#8220;There&#8217;s more of you where you came from.&#8221;</p>
<p>That kind of emptied me out, which he saw. &#8220;Just kidding,&#8221; he said after a while.</p>
<p>&#8220;So you think there&#8217;s more of me.&#8221;</p>
<p>&#8220;Well, just go fetch that bottle.&#8221;</p>
<p>Folks would come at all hours. There was a deputy who bought five hundred at a time and we would listen to his cop radio. One day, honest, a dude reported his wife had pissed in his coffee. &#8220;Call and say we&#8217;ll report to the scene,&#8221; said Ray. We piled in, Ray and the cop in front and me behind the grid. The siren screamed as we sped across town. At the man&#8217;s house Ray told me, &#8220;Stay.&#8221; I tried to get out anyhow but I was locked up. Whole hours passed before they came out chuckling.</p>
<p>&#8220;What happened?&#8221; I said when they got back in.</p>
<p>&#8220;Filed a report,&#8221; said the cop, and then a look passed between him and Ray. &#8220;Did he think you were both policemen?&#8221; I asked as we drove off.</p>
<p>&#8220;Maybe you should beat him with your stick.&#8221;</p>
<p>&#8220;Replaced our sticks with Tasers.&#8221;</p>
<p>&#8220;Tase him, then.&#8221;</p>
<p>&#8220;Why don&#8217;t you?&#8221;</p>
<p>&#8220;Won&#8217;t fit through the bars.&#8221;</p>
<p>&#8220;I&#8217;ll pull over.&#8221;</p>
<p>We veered off onto a dirt path and then Ray got out. &#8220;Stand up,&#8221; he barked at me. A wild boar was watching us from the woods. It had come to protect me, but Ray would tase it too. Stay back, I begged it in my head, and Ray lifted the Taser and at the last moment, as I shook, he said, &#8220;Just kidding.&#8221;</p>
<p>Things got better. We drove to a cockfight and busted it up, then went to another and won some cash. There was a guy the cop said was Dolly Parton&#8217;s brother. He smoked with us and Ray said, &#8220;Where&#8217;s your big tits,&#8221; and when he got mad Ray pulled the Taser out and tased him and we took off. Then the cop got to talking about Dolly and her songs. He said she&#8217;d written more songs than anyone in history, thousands upon thousands of them. &#8220;I admire that,&#8221; he said. &#8220;Me, I&#8217;ve written ten, maybe twelve songs.&#8221;</p>
<p>I said, &#8220;I bet she&#8217;d be having fun if she was here with us.&#8221;</p>
<p>Instantly I got scared they&#8217;d tase me for being a pussy again, but they must have liked it, because she got in and rode along with us for a bit. She&#8217;d done this deal with the governor called Imagination Library where poor kids get free books. It was on all the billboards, and Ray&#8217;s kids had read some of those books. Why she was in the car, she&#8217;d found out Ray&#8217;d stole them from her. I thought to warn him but I looked up and the next light was her road, Dolly Parton Parkway. The cop thought his own fingers were the ones that hit the signal, and I froze and next thing we&#8217;re at Dale&#8217;s, but if I tell you we watched Dale screw his girl and took his cash and pistol-whipped him, you won&#8217;t see how I sat frozen while that bitch stared through me and steered us toward hell. She wanted to show me what happens in hell when you give AIDS to your wife. She had it from her husband and that&#8217;s what her songs were about. She wouldn&#8217;t kill us just yet cause it would all be there waiting, come time.</p>
<p>I woke up alone with a note by the bed that said &#8220;Call your mom.&#8221; I drove to my ma&#8217;s and let myself in to find her at her table, writing. &#8220;Knock knock,&#8221; I said.</p>
<p>&#8220;Hi,&#8221; she told me without looking up.</p>
<p>&#8220;You copying a recipe?&#8221;</p>
<p>&#8220;Where&#8217;s Lisa?&#8221;</p>
<p>&#8220;Is it your brownies?&#8221;</p>
<p>&#8220;Who&#8217;s Ray?&#8221;</p>
<p>&#8220;He&#8217;s my blood brother.&#8221;</p>
<p>I could see she wasn&#8217;t meaning to bake brownies. There were some medical instruments lying around—a blood pressure cuff, a stethoscope, a roll of gauze—along with several pill bottles, and I figured she was intending to put Ray out of business.</p>
<p>&#8220;Lisa called here not fifteen minutes ago.&#8221;</p>
<p>&#8220;So then you know where she is already.&#8221;</p>
<p>&#8220;She told me she was at Shoney&#8217;s.&#8221;</p>
<p>I can&#8217;t explain. It was like all women were inside her right then, cussing me for not wanting them hard enough. I got to feeling she was a cop. I said if you&#8217;re so naïve, why&#8217;d you have that heart attack? I knew I just needed a hit, so I headed back to Ray&#8217;s, but no one was home. For the first time I went down to the basement and turned the knob. There he was in a chair, wearing a shirt and nothing else, waiting.</p>
<p>It took me a second to scream. I jumped and hit my head on the low ceiling. &#8220;Remember when you told me you&#8217;d break my arm?&#8221; he said.</p>
<p>I shook my head, stammering sorry.</p>
<p>&#8220;How would you do it?&#8221;</p>
<p>&#8220;I know you don&#8217;t want me down here.&#8221;</p>
<p>&#8220;Tell you what, go buy some whiskey. Here&#8217;s twenty bucks.&#8221;</p>
<p>I stumbled over myself running back upstairs. I knew he&#8217;d call his buddies, which was too much to bear. I sped through the holler full of dread. I ran over a dog and decided it belonged to a boy who told his dad my license plate so now I&#8217;d have to go back the long way while Ray screwed the whole state.</p>
<p>The clerk was a lady I hadn&#8217;t seen before, with icy eyes the color of blue Kool-Aid. &#8220;Back for more?&#8221; she said.</p>
<p>&#8220;Huh?&#8217;</p>
<p>&#8220;Run out?&#8221;</p>
<p>She was nodding at me, her curls bobbing along with her nods. &#8220;Of what?&#8221;</p>
<p>&#8220;George Dickel?&#8221; she said, and I thought, maybe I&#8217;ve got a twin, maybe Ray&#8217;s doing him right now and drinking his Dickel.</p>
<p>&#8220;I&#8217;m an only child.&#8221;</p>
<p>&#8220;I&#8217;m the youngest of ten.&#8221;</p>
<p>As she stared through me, I felt more fear than any soldier at war, but she rang me up and let me go. On the way home I passed the tooth girl and tried to count my teeth by feeling them with my finger but I lost count. I recalled finding Lisa on the phone with her friend, giggling about me. She thought Ray was part of her plan but the joke was on her, because I was in love, and I decided right then to help him get his kids back.</p>
<p>I carried the bottle in, unscrewed the cap, and presented it. &#8220;Look,&#8221; Ray said, gesturing out the window behind me. I turned and saw the pine woods across the road.</p>
<p>&#8220;You mad about the basement?&#8221; I asked.</p>
<p>He shook his head. &#8220;While you were gone,&#8221; he said, &#8220;I realized I hate you.&#8221;</p>
<p>I figured he was joking, so I laughed. &#8220;That&#8217;s what a pussy you are,&#8221; he said: &#8220;I say I hate you and you laugh.&#8221;</p>
<p>I set the whiskey down and asked what was going on.</p>
<p>&#8220;I got you screwed up and screwed your marriage up and never used a rubber and your ma won&#8217;t talk to you, but you like me.&#8221;</p>
<p>&#8220;So I should hate you?&#8221;</p>
<p>&#8220;So I should hate you?&#8221; he mimicked in the high voice of a pussy.</p>
<p>&#8220;What do you want me to do?&#8221;</p>
<p>He shook his head. &#8220;Nothing. Stay here. I&#8217;m gonna go find my wife.&#8221;</p>
<p>He descended the porch stairs to his car. &#8220;Stop,&#8221; I called out, tearing up, and he pointed at my tears and said, &#8220;There&#8217;s the problem with you.&#8221;</p>
<p>After that things started to change. I started wanting to lose my teeth out of just spite. Weeks passed. I looked around for the billboard girl and found her in Knoxville. Her name was April and she took me to see some folks. There was a dude that hotwired cars, who drove me to the Atlanta bathhouse. He left after a few days but I stayed on. Your body needs dreams but you can get them while you&#8217;re awake. Every few days I bought something to eat from a machine. One day I got sick with fever chills, then I got better. When I finally went outside, two weeks had passed, because that was how long my car had been impounded. The bill was twelve hundred dollars, which meant it was totaled. I walked to Big Lots, found a truck, and hotwired it, which was the start of not being a pussy. The sun was rising as I reached Miami. I looked in the rearview and saw the weeks of fasting had chiseled my face, which led me to meet some folks. We drank rum in pools and sang Auld Lang Syne and one day I froze up and realized it had never gotten cold.</p>
<p>&#8220;It don&#8217;t,&#8221; said Vince, the silver-haired guy I&#8217;d been hanging with, but there&#8217;d been others before; now suddenly we were alone.</p>
<p>&#8220;What month is it?&#8221;</p>
<p>&#8220;March,&#8221; he said.</p>
<p>&#8220;I had a birthday.&#8221;</p>
<p>&#8220;Well, happy birthday.&#8221; A grin stretched out from either side of his cigar. I asked if he&#8217;d seen my phone. &#8220;They turned it off,&#8221; he said, &#8220;remember?&#8221;</p>
<p>I felt uneasy as he handed me his. Outside on a deck facing the canal I called the only number I could recall. It rang twice before I got an error message. If I wanted, it said, I could hang up and try again.</p>
<p>&#8220;City and state?&#8221; said 411.</p>
<p>I had to grip the railing to keep from tumbling into the water. &#8220;Pigeon Forge, Tennessee. Dr. Lighter.&#8221;</p>
<p>They connected me automatically. Each ring was a shock to my chest but I kept holding on. &#8220;Doctor&#8217;s office,&#8221; said my wife.</p>
<p>I spoke her name. &#8220;You&#8217;re alive,&#8221; she said.</p>
<p>&#8220;Where&#8217;s my ma?&#8221;</p>
<p>&#8220;We tried to find you.&#8221;</p>
<p>&#8220;Lisa, come on.&#8221;</p>
<p>&#8220;It was in November, she—&#8221;</p>
<p>I threw the phone in the water. The number was on her ID, though. She could give it to the cops. That&#8217;s what I&#8217;m most ashamed of: letting myself think about her ID when I&#8217;d just learned about my ma.</p>
<p>I never went back inside. Twelve hours later a sign said Welcome to Tennessee. Below those words it said the state was home to Vice President Al Gore, but that had been years ago. I sort of broke down on the shoulder. The cop asked what was wrong and I pointed to the sign. He told me to get on up the road and that&#8217;s what I did. For months I got up the road to wherever I could. I figured I&#8217;d smoke till I died, which would happen when my mind ran out of dreams. All I had to do was quit dreaming. I would drive through the night, and if I started to dream, I slapped myself. One morning I rounded a curve and saw the moon over Mt. Cammerer. It had never risen so late before. I started keeping a list of the things it does. I built up a book of them that could have broken some ground but there was no use so I ripped it up and kept on driving. One of those AM stations was shouting about patience when the preacher asked, What will you miss when you&#8217;re dead?</p>
<p>It was the stretch where it stops being Dolly Parton Parkway and goes to two lanes. I was overtaking this car. I slammed on my brakes by the sign for Forbidden Caverns. I know how it works in those caves, you go through them together in a group. The whole group gets to know each other and makes friends. What will you miss, said the man, and I looked at the hills and thought, There&#8217;s nothing I&#8217;ll miss. Not Lisa, because I can&#8217;t stand what I did, and not my ma because she&#8217;s gone. As for Ray, my head sent a signal to my foot just as a semi rounded the bend. I sped up hoping to crash into it. The driver would probably live but if he didn&#8217;t, I&#8217;ve hurt plenty of folks anyway. I wondered if my ma would be there when I died, shaking her head along with the fucking Lord. I started to cry. My vision blurred and I figured it would keep blurring from there into oblivion, but at the last minute the trucker ruined it by pulling onto some dirt.</p>
<p>That&#8217;s when I drove to the rest area. I sat there touching myself as families pulled in and their dogs peed and finally a Hummer parked beside me. &#8220;You party?&#8221; said a fellow in a Braves cap. &#8220;I&#8217;ve got tons of room.&#8221;</p>
<p>His windows had a full tint, so we put down the seats and messed around, nothing special till he pulled a phone out and said, &#8220;Know about this?&#8221;</p>
<p>&#8220;About your phone?&#8221;</p>
<p>He swiped the screen and I looked down to see a grid of thumbnail pictures labeled with names. &#8220;It&#8217;s in order of how close they are.&#8221;</p>
<p>I touched one, and the screen filled up with a guy named Josh. 10 Miles Away, it said in the corner. &#8220;So it knows where I am?&#8221;</p>
<p>&#8220;No, it knows where I am.&#8221;</p>
<p>&#8220;Moon&#8217;s about to rise.&#8221; I pointed through the sickly tint of his rear window. Ten seconds later it began to peek above the summit of Mount Cammerer.</p>
<p>&#8220;Here&#8217;s a dude looking for now, and he smokes for sure.&#8221;</p>
<p>I took the phone and stared down at the inimitable fish eyes of Ray. To appear calm, I stopped breathing. He didn&#8217;t look so pale anymore. Maybe he&#8217;d followed me to Florida.</p>
<p>&#8220;Hit &#8216;chat,&#8217;&#8221; the guy said, and I obeyed. It occurred to me to type hey, which floated up the screen in a yellow bubble. Seconds later came the response: &#8216;Sup?&#8217;</p>
<p>&#8220;Say &#8216;.&#8221;</p>
<p>&#8216;Nothing,&#8217; I wrote instead, and then &#8216;Horned up&#8217; chirped onto the screen. The guy grabbed the phone from me and typed with both hands. I watched the moon rise and shrink while my gut did the opposite. &#8220;Dude says come over,&#8221; he exclaimed, and I looked into the future and saw my teeth fall out of me. It would happen that day in 2012 when everyone thinks the world will end. What they mean is the world will carry on, but for each person something important will fall out of him.</p>
<p>&#8220;I&#8217;ll tail you,&#8221; I said, pocketing the phone, knowing he was too high to notice. I followed him until we came to an exit ramp. As soon as he&#8217;d passed it, I swerved off, crossed the highway, and turned around toward the first clear destination I could recall. I figured I had until morning before the account froze. The radio preacher was saying we&#8217;re made of dust and it won&#8217;t take much air for the Lord to blow us away. He said one lung of the Lord is the size of the world. I pulled into Hardee&#8217;s and signed on to find five guys with green dots: Clay, James, Anchovi, Just Lookin, and Kid. Kid was Ray and his distance was twelve miles. I checked my own profile: I wasn&#8217;t the Hummer fellow, but a black guy called Tyrone, twenty-one, headline reading &#8220;Don&#8217;t fall in love with everyone you see.&#8221;</p>
<p>I ordered a hamburger, the first time in days I&#8217;d thought of eating. A long journey faced me. An infinite number of directions led out from me, and I had to try each one—but suddenly Kid was eleven miles off. After a minute I hit the button again and it said ten. I thought of the jack pine and how readily Ray had agreed to it. He was coming for me and I had no weapon. They handed me my burger. I thought I might puke, but something in me reached out and devoured it and I was revved up with gas. I guess that that&#8217;s when I began thinking straight. I&#8217;d imagined driving in circles, hunting Ray like a fox, skirting his circumference. I saw now that the phone was a shield. There were eight miles between me and his house, and he was eight miles away, but the road twisted in on itself so many times that it was of no concern to my pulse to go there.</p>
<p>Back in the car I talked along with the radio to calm myself. Halfway there the phone said five miles, which was bad, but I reminded myself it was supposed to feel good not being a pussy. That&#8217;s why other guys liked it so much. I gritted my teeth and pulled up to his house and the phone said seven again. Maybe it was broken. I used my key and the door creaked open. If he could see me on his phone I looked like a black kid named Tyrone—unless he knew to begin with and my mug had a green dot in his head. That&#8217;s how it will be in another few years: like now, but in your head, we&#8217;ll drive all night just looking for folks in our head.</p>
<p>I felt my way to the basement and plugged in the bulb. It swung on a cord in front of a mirror in which I saw a St. Andrews cross and a workhorse. I walked to the closet and swung the plank and there was the knife. Its handle was wood and its blade curved and I&#8217;d forgotten what war it came from.</p>
<p>I was climbing the stairs again when my phone rang. Damien Warman, announced the touchscreen, and he said, &#8220;Where are you?&#8221;</p>
<p>&#8220;I&#8217;m not telling,&#8221; I said.</p>
<p>&#8220;You two think you can treat me like this?&#8221;</p>
<p>I was getting ready to apologize when I remembered this wasn&#8217;t my phone and a non-pussy would take advantage of that.<br />
&#8220;Who are you?&#8221; I said.</p>
<p>&#8220;Screw you, bitch.&#8221;</p>
<p>&#8220;No, I asked a question. If you want to live—if you want to survive another minute of your worthless life, then answer it.&#8221;</p>
<p>There was a gulp. &#8220;Where&#8217;s Tyrone?&#8221;</p>
<p>&#8220;Dead. You&#8217;re next.&#8221;</p>
<p>&#8220;Where is he.&#8221;</p>
<p>&#8220;No, you tell me where you are.&#8221;</p>
<p>&#8220;Downtown Hilton.&#8221;</p>
<p>&#8220;Well, you best get yourself out of that Hilton.&#8221;</p>
<p>I can&#8217;t tell you what a thrill it gave me to say these things. I hung up, and then the screen showed the earth in space, the clouds moving in real time. The mountains were inching toward dawn. I guess the camera was on the moon. My blood heated up in anticipation of sunrise. Just as I was about to catch fire, Damien Warman&#8217;s name flashed across space. To be a pussy was to answer, to say just kidding, so I hit ignore. I found some gin and took a swig and realized the dog should be barking, so I went upstairs to his cage, in which he lay dead.</p>
<p>I had a new message from Kid. &#8220;Sup,&#8221; it said.</p>
<p>&#8220;Not much,&#8221; I wrote.</p>
<p>There was no response, so I looked at his profile: four miles.</p>
<p>I began to feel time slowing down. I went out into the night and ran the knife blade along my finger. It felt intensely strange, and I realized why: I was sober. I pricked another finger, then pricked them all and rubbed the blood on my pants. The cuts all stung. I was so sober I could feel pain. I looked at the moon, which was bisected by the jack pine, and knew on any other day I&#8217;d have believed it was broadcasting my thoughts to Ray. I checked the phone again and saw a distance of two miles.</p>
<p>It was curvy those last miles. I had about four minutes. There&#8217;s a lot you realize when you get sober. It occurred to me to look up &#8220;Zeela Tipton 1950-2009&#8243; on the phone. I read, &#8220;After an illness, Zeela went Tuesday to be with the Lord.&#8221; I learned she was survived by two brothers and a daughter-in-law. I knew I might meet the Lord soon myself, and I wanted him to know there was some good in me. I typed Lisa&#8217;s number into Tyrone&#8217;s phone and wrote, &#8220;Ask Dr. Lighter for a blood test.&#8221;</p>
<p>The noise of a motor faded and grew closer. The phone said 500 feet. I hit refresh and it said 700 and then 350, which was about right.</p>
<p>I went in and pulled out the fuses. Through the peephole I watched a single shadow climb out of a car. My pulse was about four hundred. I saw the shadow lurch forward and grow larger. I had read the obituary to help urge myself ahead. I moved from the hinged to the unhinged side of the door. A siren blared for a split second. The last thing before he came in, I looked at the phone, which said zero feet.</p>
<p>The door swung open and his hand reached through the dark. I clutched the knife and plunged it into his arm. It sank easily into his flesh. I pulled it out and saw his eyes bulge as I stabbed again. As the blood spurted onto me he lunged toward me and I held tight onto the hilt. &#8220;Sarah,&#8221; he said as he sank, which is when I knew what that siren had meant.</p>
<p>He contorted away, making gurgly noises. I let go and ran outside. The cruiser window was open, and I could hear cops on the radio. &#8220;How do you know a Kentucky girl&#8217;s on the rag,&#8221; one of the cops asked, and then they all laughed as the pines heard my phone ring.</p>
<p>I&#8217;ve written ten, maybe twelve songs, I thought.</p>
<p>&#8220;Babe?&#8221; said Ray when I answered it. &#8220;I heard you&#8217;re back in town.&#8221;</p>
<p>&#8220;How&#8217;d you hear that,&#8221; I managed to say.</p>
<p>&#8220;I was on my way to you but I drove into the river.&#8221;</p>
<p>&#8220;I don&#8217;t live at your house anymore.&#8221;</p>
<p>&#8220;Lisa never answers your door.&#8221;</p>
<p>&#8220;I gave her AIDS. I caught it from you.&#8221;</p>
<p>&#8220;But you never came down with the flu.&#8221;</p>
<p>&#8220;You&#8217;ve ruined my life.&#8221;</p>
<p>&#8220;I have some crystal.&#8221;</p>
<p>The blue of the light bubble gleamed in moonlight as he told me he was at the S-curve near his house. &#8220;I like you,&#8221; he said, and I told him that was retarded and he said, &#8220;I&#8217;m trying to say things that I mean.&#8221;</p>
<p>His front door wouldn&#8217;t budge. I broke the window with a brick and climbed in and saw the cop sitting up against the door, meeting the Lord. I reached in his pants for Ray&#8217;s phone. I held it in hand and checked the distance: 2000 feet. A chill went through me then, because Ray had just talked to me on his own phone. It was like Ray had been talking to me from the cop&#8217;s pocket. I put the phone in my own pocket with the other two. I imagined the phones all talking to each other and to the pine trees. If I was high I might have tried to saw down the cell tower. Its trunk was metal but I&#8217;d have made sawdust out of the wrong pine and felt safe.</p>
<p>As I drove the cruiser, I checked my messages: Sup. Hey stud. Where u at. One was named Lucifer and he was ten miles away, which I guessed was ten miles down. I passed Dollywood, which is on a back road in a holler, not where you&#8217;d expect. I drove deeper into the forest. Finally I pulled off by a precipice where at the bottom of a ravine Ray stood by his wrecked car in water up to his knees.</p>
<p>&#8220;There&#8217;s a way down,&#8221; he said, pointing to a path.</p>
<p>I left two of the phones on the seat and carried the knife in hand as I scooted downhill. &#8220;How are you?&#8221; Ray said from across the water when I reached the bank.</p>
<p>&#8220;Fine,&#8221; I told him, brushing dirt off me.</p>
<p>&#8220;That&#8217;s my knife.&#8221;</p>
<p>&#8220;I&#8217;ll slit your throat with it.&#8221;</p>
<p>He opened his mouth, then shut it. &#8220;The crystal got wet.&#8221;</p>
<p>&#8220;My mom died.&#8221;</p>
<p>&#8220;Mine did too.&#8221;</p>
<p>&#8220;I&#8217;m not afraid of you.&#8221;</p>
<p>&#8220;Then get on with it.&#8221; He pointed to his neck.</p>
<p>&#8220;That&#8217;s the oldest trick in the book.&#8221;</p>
<p>&#8220;Mark&#8217;s on his way. Call and see.&#8221;</p>
<p>&#8220;Who&#8217;s Mark?&#8221;</p>
<p>&#8220;Cop from the dogfight. I made a deal with him: he&#8217;ll file it as a suicide.&#8221;</p>
<p>&#8220;Why don&#8217;t you piss off, Ray.&#8221;</p>
<p>&#8220;But it&#8217;s really what he&#8217;s coming for.&#8221;</p>
<p>It was easy enough to look Ray in the eye and still hate him. His eyes were fixed on mine, but that wasn&#8217;t a problem; nor was I touched by the sound of his voice. I hadn&#8217;t been prepared, though, for the effect of his breath. It smelled of bourbon and smoke and instantly I was in Tulsa drinking bourbon with him, holding him and thinking he was just a lonely child.</p>
<p>&#8220;It&#8217;s for my kids,&#8221; he said. &#8220;If you had kids, you&#8217;d understand.&#8221;</p>
<p>I guessed there was a fair chance he was telling the truth. &#8220;I&#8217;ve been in Florida.&#8221;</p>
<p>&#8220;I like it down there. Took Angel and Ray Jr. to the Daytona 500.&#8221;</p>
<p>I kicked some gravel into the river. It landed by his foot, and he said, &#8220;Remember at the Bristol Speedway, when you thought we were dying?&#8221;</p>
<p>I shook my head. &#8220;I&#8217;ve never been to Bristol.&#8221;</p>
<p>&#8220;You were lit up back then.&#8221;</p>
<p>&#8220;You were just as lit up.&#8221;</p>
<p>&#8220;But I was aware of it. You, you acted like you were surprised.&#8221;</p>
<p>I tried to imagine Bristol, which straddles the border of Virginia and Tennessee. I pictured a state line painted down the middle of a street. I imagined fast cars in circles and recalled a race in Mexico where the drivers steered by remote. The cars crashed over and over until I knew the stadium would explode. I dragged Ray out into a country I&#8217;ve never seen. What happened next, he punched me, right in front of the Mexicans. &#8220;Now you&#8217;ll have a black eye for your ma&#8217;s birthday.&#8221; He drove me to her house but by then we were in Leo, and she was a Cancer. I staggered inside and found her on the couch with her quilting circle. Those three ladies together weighed less than me, and they sat in a row like sticks of brittle.</p>
<p>&#8220;This is my son,&#8221; said my mother.</p>
<p>I can&#8217;t account for what came next. I looked down at the quilt, a patchwork maze whose path mapped all that I&#8217;d done wrong in her eyes. I saw my house when the bank forced Lisa out of it. I saw her in 2012, dying of AIDS. I saw my ma getting sick and writing in my baby book. It was a list of my firsts, which appeared on the quilt as triangles arranged in a loop. With that loop she was telling me I would never change. &#8220;Up your cunt with a plunger if that&#8217;s what you think,&#8221; I said, which she must have taken as a response to her words.</p>
<p>I stepped into the icy water and sat on Ray&#8217;s hood. &#8220;I need you alive,&#8221; I told him, taking his hand, pulling him toward me. He slipped on the algae but I held on.</p>
<p>&#8220;You were about to kill me,&#8221; he said.</p>
<p>&#8220;I don&#8217;t have anyone.&#8221;</p>
<p>&#8220;You&#8217;ve got Lisa.&#8221;</p>
<p>&#8220;I don&#8217;t want her.&#8221;</p>
<p>&#8220;You want me?&#8221;</p>
<p>&#8220;You&#8217;re better than nothing.&#8221;</p>
<p>He put his hands in his pockets and kicked at some rocks. &#8220;That came out wrong,&#8221; I said, and he looked at the far shore and said, &#8220;No, it&#8217;s true.&#8221;</p>
<p>Tyrone&#8217;s phone purred in my pocket. I pulled it out and Ray took it and squinted. &#8220;This guy&#8217;s twelve miles away. Says he&#8217;s glad I&#8217;m online again.&#8221;</p>
<p>&#8220;I wonder what that means,&#8221; I said.</p>
<p>Ray glanced into his smashed car. &#8220;Can you drive?&#8221;</p>
<p>I twisted around and looked too. I saw the river roaring around it, flowing into its broken window. Shards of glass from it would reach the Gulf, while others would sink into the ground here. I knew Ray wouldn&#8217;t change. He took my hand and pressed his fingertips to the holes in mine. The wind blew through me and the river was rising: it was nearly high tide. I could feel the tide even in my blood. That was how sober I was. If the new awareness had ended there with the glass and the blood, I&#8217;d have survived it, but I was aware also of being aware. That was the part I couldn&#8217;t bear. Otherwise I doubt I would have said, &#8220;So long as we find a dry bag first.&#8221; Otherwise I might have gone looking for folks that weren&#8217;t better than nothing. I might even have told them this story. As it was, I figured I&#8217;d keep quiet, because I knew nobody but Ray would have cared to listen.</p>
<p><em><strong><a rel="attachment wp-att-492" href="http://www.friedchickenandcoffee.com/2010/03/29/blood-brothers-by-john-mcmanus/john1/"><img class="alignleft size-full wp-image-492" title="john1" src="http://www.friedchickenandcoffee.com/wp-content/uploads/2010/03/john1.jpg" alt="" width="300" height="225" /></a>John McManus</strong></em> is the author of three widely praised books of fiction: the novel <em>Bitter Milk</em> and the short story collections <em>Born on a Train</em> and<em> Stop Breakin Down</em>. In 2000 he became the youngest-ever recipient of the Whiting Writers Award.  His fiction has also appeared in <em>Ploughshares</em>, <em>American Short Fiction</em>, <em>Tin House</em>, and <em>The Oxford American</em>, among other journals. Born in Knoxville, Tennessee, in 1977, he lives and works in Norfolk, Virginia, and teaches at the MFA creative writing programs at Old Dominion University and Goddard College.</p>
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		<title>Post-War Heat by Murray Dunlap</title>
		<link>http://www.friedchickenandcoffee.com/2010/03/05/post-war-heat-by-murray-dunlap/</link>
		<comments>http://www.friedchickenandcoffee.com/2010/03/05/post-war-heat-by-murray-dunlap/#comments</comments>
		<pubDate>Fri, 05 Mar 2010 20:20:45 +0000</pubDate>
		<dc:creator>Rusty</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[murray dunlap]]></category>
		<category><![CDATA[post-war heat]]></category>

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		<description><![CDATA[<p>Slick with sweat, Sweets stops at the cargo train tracks to catch his breath and fan himself with the Mobile Press Register.  He shuffles under the welded arch of the main entrance to the Alabama Dry Docks and a uniformed guard directs him to the employment office.  Sweets already knows the way.  He carefully chooses [...]]]></description>
			<content:encoded><![CDATA[<p>Slick with sweat, Sweets stops at the cargo train tracks to catch his breath and fan himself with the Mobile Press Register.  He shuffles under the welded arch of the main entrance to the Alabama Dry Docks and a uniformed guard directs him to the employment office.  Sweets already knows the way.  He carefully chooses a path through piles of rusting scrap and crosses long, dark shadows cast by cranes.  Sweets repeats his qualifications aloud over swollen lips.  Near the dock, he stops in front of the tug boat,<em> Little Ben, </em>and catches his breath.  The tug glistens with fresh paint and hand-rubbed teak.  The owner of the shipyard, Benjamin Kale, tags his dead son’s name to everything he builds. Sweets removes his hat and grips it to his chest.</p>
<p>“Hey now, look at ole Sweets,” Wishbone shouts. “Goin’ again!”</p>
<p>Wishbone is lean and tall with hair cropped close.  He holds up his welding mask with one hand.  His black torso swells with muscle.</p>
<p>The other men look up. They clap and whistle at Sweets from a cracked oil tanker prop.  Wishbone drops his mask and relights the acetylene.  A cloud of sparks, soot, and steam rises from his torch, then vanishes into white hot sky.</p>
<p>Sweets resumes walking, eyes focused forward.  At the backdoor of the office, he tucks in his faded blue work shirt and mops his face with a rag.  Inside, unemployed men work the maze, trying their luck at each glass window.  Sweets rubs the foot of a rooster between finger and thumb in his pocket. He slows his breathing to even, controlled breaths, then opens the door.</p>
<p>Hours later, Sweets emerges from the building. He sits on the first step. His hips and knees burn.  He struggles to breath. Sweets enters and exits by the back door every Monday.  The other applicants sit out front.  Among them, a young man with smooth almond skin slaps his thigh. He says:<em> No parades, no bond rallies, no jobs. </em> <em>Can’t even shuck oysters</em>.  The others nod.  Some say <em>amen</em>.</p>
<p>At the back door, Sweets looks up to Wishbone, blackened with soot.  He sits down beside him. Both men drip with sweat.</p>
<p>“I’ll get over to Dauphin Street,” Sweets says.</p>
<p>“Kazoola’s might need you.”</p>
<p>“Sho might.”<em> </em></p>
<p>“Ain’t no way to tell,” Wishbone says.</p>
<p>“Got damn,” Sweets says. “Maybe they’ll be havin another war.”</p>
<p>Benjamin Kale sits behind an ornate mahogany desk in suit and tie.  He swivels in his chair and watches Sweets and Wishbone through the third story window.  He watches Wishbone move, shirtless, and presses his palm against the glass.  Wishbone says something, gesturing with his hands, and Sweets nods.  Cold air blows through newly installed air vents.  From this distance, Wishbone could be any man.  He could be white.  He is young and strong and virile.  He might be a navy boy, home on leave.  Sweets might be his father.</p>
<p>Suddenly, the air feels over cold and Benjamin closes the vent.  He opens the window and leans out as far as he can.  He closes his eyes.  On the desk, a black and white photograph of his son lies face down against the wood.  In the picture, Ben Jr. sleeps on a riverboat bunk, his arms crossed behind his head.  In another picture, still upright, twin baby boys peek out from under blankets in a bassinet.  Ben Jr.’s wife will take them away.  She will take them to her family in New England.  They will be raised without a southern accent.  They will not know that Benjamin hired Sweets to drive his polished black car, despite the slide in revenue. They will not know that Wishbone will use Sweets to break into the Kale family home.</p>
<p>What they will know is this: A man known as Wishbone split Benjamin Kale’s skull with a fire iron and only got away with his gold watch on a chain. He was never found. My father will discover the watch in a pawn shop thirty years later. In thirty more years, he will die, and I will find it in his desk.  I’ve got it in my right hand, right now.  My name is Ben.  The watch does not keep time.</p>
<p><strong><a rel="attachment wp-att-410" href="http://www.friedchickenandcoffee.com/2010/03/05/post-war-heat-by-murray-dunlap/birdinhand2/"><img class="size-medium wp-image-410 alignleft" title="birdinhand2" src="http://www.friedchickenandcoffee.com/wp-content/uploads/2010/03/birdinhand2-237x300.jpg" alt="" width="237" height="300" /></a>Murray Dunlap’</strong>s fiction has appeared in the <em>Virginia Quarterly Review</em>, <em>Post Road</em>, <em>Night Train</em>, <em>New Delta Review</em>, <em>Red Mountain Review</em>, <em>Silent Voices</em> and <em>Smokelong Quarterly</em> and others. His stories have been twice nominated to the Pushcart Prize and to Best New American Voices, and his first book, &#8220;Alabama&#8221;, was a finalist for the Maurice Prize in Fiction. After very nearly being killed in a terrible car wreck, the writer uses this site to vent: <a href="http://www.murraydunlap.com/">http://www.murraydunlap.com/</a>.</p>
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