Redneck Press with Fried Chicken and Coffee

 

Many years ago, when I first began teach­ing writ­ing, I had the oppor­tu­nity to design an intro­duc­tory writ­ing (essay) course, in which we read and dis­cussed the­ory and crit­i­cism as well as orig­i­nal cre­ative works. I thought for a long time about what I might do. I had done sim­i­lar courses in the past,with safe top­ics like good and evil as seen through tech­no­log­i­cal advances,that kind of thing. I wanted to branch out and give my students–mostly upper-class kids–something that they might not get in regards to the rest of their edu­ca­tions in class dif­fer­ences and isms of all kinds. I called it White Trash Literature.

Hav­ing come to Boston for grad school, light years away from  the small rural com­mu­nity in Appalachian Penn­syl­va­nia that I grew up and went to col­lege in, I suf­fered more than a bit of cul­ture shock. I sat in my first grad work­shop with a ball­cap on that I'd stolen from my brother-in-law. The cap said 'Red­neck Express Truck­ing.' I had on a flan­nel shirt over a pocket t-shirt, old jeans, and some high-top sneak­ers, a look com­ing into style then cour­tesy of the grunge move­ment located in Seat­tle. I was sort of hip, until peo­ple found out I'd been dress­ing that way my entire life. Then I became strange, or felt that way, any­way. The point being, I lived the life we dis­cussed in class.

In hind­sight, I prob­a­bly should have pre­pared bet­ter and read more before teach­ing this, but I was 22 years old and deter­mined to find my place in this new world, if indeed I had a place at all. I devel­oped a syl­labus, found texts that cov­ered a lot of ground, and gamely went in to teach, jump­ing in with all my lit­er­ary limbs fly­ing, in that wind that can blow you down Tremont Street in Boston if you're not care­ful. The first day, I began point­ing out signs of clas­sism: TV, movies, lit­er­a­ture, life, Jeff Fox­wor­thy, etc. Once we'd cov­ered a white­board with mate­r­ial, I set them at work writ­ing about what they knew regard­ing peo­ple called red­necks or white trash or hill­billy. I antic­i­pated papers full of cogent sets of exam­ples and a great dis­cus­sion forth­com­ing. Then a com­ment came, the next day, within the first five min­utes of class, and froze me up.

"Why are we study­ing this stuff ? These peo­ple aren't an impor­tant part of his­tory or literature."

I wish I could say I responded well, but I didn't. Some­one mer­ci­fully pulled me back into the dis­cus­sion by call­ing the com­menter in ques­tion a fuck­ing idiot, at which the class laughed a bit, uncom­fort­ably, which gave enough time to pull myself together and toss the ques­tion out for dis­cus­sion. I hadn't expected some­one to chal­lenge the course so boldly the first day. Every day after that I went in loaded for bear, swear­ing I would never be so caught dry and ham-fisted again. One of the big rea­sons I sur­vived teach­ing that class was Dorothy Allison's baldly auto­bi­o­graph­i­cal fic­tion, and the equally eye-opening essays I found along the way look­ing for sec­ondary sources.

After read­ing her, I knew it wasn't just me, though I cer­tainly felt like I was the only quasi-redneck in this school most of the time. What mat­tered was that over­whelm­ing sense of oth­er­ness you can only get in rooms full of white peo­ple, sup­posed peers, with whom you have lit­tle or noth­ing at all in com­mon. The fol­low­ing essay (Allison's) is worth read­ing not just because she describes what I and oth­ers who trav­elled from the lower mid­dle class to the halls and class­rooms of acad­e­mia go through prac­ti­cally, but also what it's like men­tally. It's a lot more than 'which fork to use for what,' though I had that prob­lem too. Read it and see what you think.

The first time I heard, "They're dif­fer­ent than us, don't value human life the way we do," I was in high school in Cen­tral Florida. The man speak­ing was an army recruiter talk­ing to a bunch of boys, telling them what the army was really like, what they could expect over­seas. A cold angry feel­ing swept over me. I had heard the word they pro­nounced in that same cal­lous tone before. They, those peo­ple over there, those peo­ple who are not us, they die so eas­ily, kill each other so casu­ally. They are dif­fer­ent. We, I thought. Me.

When I was six or eight back in Greenville, South Car­olina, I had heard that same matter-of-fact tone of dis­missal applied to me. "Don't you play with her. I don't want you talk­ing to them." Me and my fam­ily, we had always been they. 'Who am I? I won­dered, lis­ten­ing to that recruiter. 'Who are my peo­ple? We die so eas­ily, dis­ap­pear so completely—we/they, the poor and the queer. I pressed my bony white trash fists to my stub­born les­bian mouth. The rage was a good feel­ing, stronger and purer than the shame that fol­lowed it, the fear and the sud­den urge to run and hide, to deny, to pre­tend I did not know who I was and what the world would do to me.

 My peo­ple were not remark­able. We were ordi­nary, but even so we were myth­i­cal. We were the they every­one talks about—the un-grateful poor. I grew up try­ing to run away from the fate that destroyed so many of the peo­ple I loved, and hav­ing learned the habit of hid­ing, I found I had also learned to hide from myself. I did not know who I was, only that I did not want to be they, the ones who are destroyed or dis­missed to make the "real" peo­ple, the impor­tant peo­ple, feel safer. By the time I under­stood that I was queer, that habit of hid­ing was deeply set in me, so deeply that it was not a choice but an instinct. Hide, hide to sur­vive, I thought, know­ing that if I told the truth about my life, my fam­ily, my sex­ual desire, my his­tory, I would move over into that unknown ter­ri­tory, the land of they, would never have the chance to name my own life, to under­stand it or claim it.