Fried Chicken and Coffee

a blogazine of rural lit­er­a­ture, working-class lit­er­a­ture, Appalachian lit­er­a­ture, and off-on com­men­tary, reviews, rants
  • Bio
    • Interviews
    • Live Nude Poems
    • Proprietor
    • Publications
    • Readings and Appearances
    • Books
      • Breaking it Down
      • Broke
      • Mostly Redneck: Stories
      • Redneck Poems
  • Redneck Press
    • Antisocial Network
    • Eggs of American Songbirds
    • Fare
    • Splitting the Soil
    • White Trash
  • A Manifesto
  • Submissions
RSS

Around the Bend

G.M. Palmer 5/2
Brian Carr 5/5
William Trent Pan­coast 5/8
Mather Schnei­der 5/11
Brenda Rose 5/14
Perry Hig­man 5/17
Mather Schnei­der 5/20

Twitter

Blogroll

  • Development Blog
  • Documentation
  • Plugins
  • Suggest Ideas
  • Support Forum
  • Themes
  • WordPress Planet

Organizations

  • Appalachian Cultural Project
  • Appalachian Heritage
  • Appalachian Studies
  • Appalachian Voices
  • Bottom Dog Press
  • Coal Black Voices
  • Dead Mule School of Southern Literature
  • Dew on the Kudzu
  • Digital Library of Appalachia
  • Hillville
  • Miss White Trash Competition
  • New Southerner
  • Southern Grit
  • Squidbillies
  • Still: a journal
  • West Virginia Writers
  • Wrong Tree Review

Rednecks and Honorary Rednecks

  • A Country Boy Can Surmise–Silas House
  • A. Ray Norsworthy
  • Appalachia Today
  • Appalachian History
  • Barrett Hathcock
  • Barry Hannah
  • Beverly Jackson
  • Buffy Holt
  • Charles Dodd White
  • Clay Matthews
  • Crystal Wilkinson
  • Donald Ray Pollock
  • Ed Southern
  • Endless Emendation–Court Merrigan
  • Eric Rickstad
  • Fixing to Shout–Marianne Worthington
  • Frank Bill's House of Grit
  • Frank X. Walker
  • Harry Crews
  • Helen Losse
  • Jack Riggs
  • James Still
  • Jarrid Deaton
  • Jayne Anne Phillips
  • Jim Goad
  • Jim Nichols
  • Jim Tomlinson
  • John Sharp, poet and writer
  • Kenneth L. Clark
  • Larry Brown
  • Lee Smith
  • Lisa Koger
  • Mark Powell
  • Mary Hood
  • Matt Baker
  • Maurice Manning
  • Michael Gills
  • Missin' Appalachia
  • Notes from the Holler–Donald Ray Pollock
  • Pamela Duncan
  • Pinckney Benedict
  • Randy Lowens
  • Robert Morgan
  • Ron Rash
  • Sheldon Compton
  • Silas House
  • Smokey Mountain Breakdown–Rosanne Griffeth
  • Sue Miller
  • Tamara Linse
  • Tim McLaurin
  • Timothy Gager
May17

NASCAR, poem by Perry Higman

by Rusty on May 17th, 2012 at 9:00 am

NASCAR (Penn­syl­va­nia 500  at POCONO, July, 1998)

To:   Gov­er­nor Tom  Ridge of Penn­syl­va­nia, giv­ing  a guest politician's dull monot­one deliv­ery of the com­mand, "Gen­tle­men, — start — your  -  engines," at the start ofthe Penn­syl­va­nia 500  at Pocono  –

From:   the young  freckle-shouldered man on my right, wear­ing an old black Dar­rell  Wal­trip tank top, hold­ing his sec­ond  half-quart of Bud –

"He just doesn't fuck­ing get it, does he."

 

 

It's a gath­er­ing of Amer­i­cans from New York,

Boston, Rochester and

the South,

an uncount­able crowd

of over one hun­dred  thou­sand, come to celebrate

the thrill of free­dom we feel in work­ing, sav­ing up

for a car,

set­tling into the seat and sens­ing the weight of dri­ving  a steady 70, tank after tank of gas, across the country

on the Eisenhower

Inter­state System.

 

 

We come in a broth­er­hood and sisterhood

of things we know how to use

every  day –

 

tobacco, beer, fur­ni­ture, guns, candy, pop

and soap –

gas, oil, Ford, Pon­tiac, and Chevrolet.

 

 

And we come to worship

our gods

of the open road — Dick, Dar­rell, Jeff, Dale, John, Bill, Jim­mie and Rusty, Kenny and Mike — who, like us,

have the same names,

and who, like us,

come from home­towns no one

out­side the fam­ily has ever heard of –

Chemung, Kan­napo­lis, Huey­town, Batesville, Owens­boro,  Pitts­boro, Spanaway, Dawsonville,

Fen­ton and Randleman.

 

 

We come

in a uni­form of caps, and T-shirts

to sing

with the soul

of the full-bodied Amer­i­can car­bu­rated V8, and to hoist

our rebel civilization

up to the whole world's broad sky,

 

and we flip the fin­ger to sissy

computer-enhanced

thrills

and to those who

just don't under­stand the tradition

of out­run­ning the law.

 

 

We come to cel­e­brate our country's ways — R and D in a smudged spi­ral notebook,

Terry  and Bobby's proud mother

sign­ing her auto­graph in the pits,

and men

great enough

to thank the Lord for winning

a race and then dance destruction

into the roof

their car.

 

 

NASCAR rac­ing

is the com­mon  poetry of hard­work­ing America's

indus­trial and cor­po­rate roar, that lets

each of us live the tin­gling thrill of being one

in a river of many, swirling around together with deaf­en­ing power.

 

I have led a long, charmed life – par­ents who gave me free­dom and a love for wide open spaces, a won­der­ful job where they let me do what I wanted as long as I did it well, good grown-up kids I keep learn­ing from, a fine wife and a few good friends who've helped me become me through many sad and happy times.

└ Tags: NASCAR, perry higman, poem
 Comment 
May14

Lazarus, fiction by Brenda Rose

by Rusty on May 14th, 2012 at 9:00 am

His boy had been dead eight days when the preacher picked up the black, worn King James Bible with his name engraved in gold on the leather cover, and rein­serted him­self in the pul­pit of the Mt. Cal­vary Holy Ghost Church, its steeple tow­er­ing like a mas­sive grave­stone, cast­ing shad­ows over the fields of local farm­ers. Since his return to the church, he’d felt a supreme anoint­ing in every ser­mon he preached, every prayer he prayed. In the dark days after his son’s death, he’d begun to dream, and in his dreams, he deliv­ered flam­ing ser­mons to hundreds—maybe thousands—of peo­ple, sav­ing souls and heal­ing the sick with a halo of fire blaz­ing tri­umphantly over his head. The dreams changed him; now, he car­ried a divine power in his fin­ger­tips, and a celes­tial scent oozed from his pores. Like Moses, he’d seen the fire, and the fire burned over him, blazed inside him, and kin­dled the life puls­ing through his veins. He saw his own future as a fire and brim­stone tel­e­van­ge­list, toss­ing out mir­a­cles, lead­ing a cru­sade like the leg­endary Jimmy Swag­gert, his ser­mons deliv­ered to liv­ing rooms in homes across the country.

Six weeks after the funeral, the preacher watched his wife pull on a black dress to wear to church. He said, “I’ve missed you.”

His wife turned away from him. In silence, she pulled the hem of the dress from around her waist down to her knees. He wanted to shake her and scream snap out of it. He was sick and tired of com­ing home to find his wife sleep­ing, curled up like a giant fetus, hud­dled with her grief in their dark­ened bed­room. He’d ham­mered her for weeks to shake off the depres­sion and step back into her role as the preacher’s wife. His dreams would never mate­ri­al­ize if she didn’t put the past in the past and stand by him.

Since the funeral—since bury­ing their son in the pale blue out­fit she’d bought for his fourth birthday—she had pulled the left­over pieces of her heart into her­self. A blan­ket of silence dark­ened their home, suf­fo­cat­ing her with sor­row, extin­guish­ing the light in her eyes. Today, though, the preacher felt the deep, unmis­tak­able pull of his faith; he felt a rush of excite­ment, a thrill, a mir­a­cle in the mak­ing. After a vivid dream he’d had sev­eral nights in a row of mak­ing love to his wife on the church altar, he had pre­pared a ser­mon espe­cially for this day. It was time to reclaim his wife and move into the future.

The preacher’s wife strug­gled with the back zip­per. She’d lost weight. Still, she was a lovely woman with brown eyes and dark hair that fell in soft curls to her shoul­ders. The preacher reached for the zip­per, but his wife whis­pered, “No.” She took a few steps back.

He knew he’d been hard on her in recent days, but it had been for her ben­e­fit. She’d wal­lowed in pity too long. They’d delayed order­ing a head­stone for the small grave in the ceme­tery behind the church because she said she needed time. Time! She’d had more than enough time to mourn and pick her­self back up. It had been six weeks. He didn’t under­stand his wife’s pro­longed grief; their son was dead and buried, and noth­ing could bring him back. It was time to put a head­stone on the grave and let go of the past.

The preacher pulled a pais­ley tie around his neck, and said, “It won’t be easy for you today. Eli started attend­ing ser­vices as soon as he was released from the hospital.”

He waited for her response. She gave none.

He knot­ted the tie. “Every Sun­day he sits on the third pew from the altar, on the right side of the sanc­tu­ary. I really don’t know how in the world Sis­ter Jody can play the piano with that freak sit­ting so close to her, pol­lut­ing the place like he does. He stinks. It’s distracting.”

He waited again for a reac­tion from his wife; it did not come.

The preacher adjusted his tie, inspected it in the mir­ror, and said, “Eli’s face hangs par­a­lyzed on one side, and when he speaks, he slurs his words like a sorry drunkard.”

He searched her reflec­tion for a response etched in her face, but found it empty. Brown eyes remained sunken and expres­sion­less, buried inside the hol­low grave of her face.

He slicked back his thick, dark hair and sprayed it stiff. “He sits there every Sun­day unashamed of his scarred face. Looks like the doc­tor was drunk when he stitched the pieces back together.” He turned this way and that, admir­ing his physique in the mir­ror. “He’s a con­stant reminder that our boy didn’t sur­vive. Eli is noth­ing but a freak and he’s turned my ser­vices into a freak show.”

He’d expected a reply of some sort: an acknowledgment—a ver­bal agree­ment from his wife that, yes, it must be painful for him to preach with Eli present. Instead, she refused to even face him. His words dis­ap­peared as soon as they left his mouth, evap­o­rated before reach­ing her ears.

She pulled up her long, auburn hair, pin­ning it in a neat bun on her head, leav­ing wisps around her sad, comatose face. She picked up her purse and said, “Then let’s go if you’re ready.”

He drove past thirsty fields of tobacco with wilted leaves brown­ing on the stalks. For days, clouds had moved through, threat­en­ing rain, yet never deliv­er­ing more than a few sprin­kles. The preacher tried to draw her into a con­ver­sa­tion, but he soon tired of his wife’s dead responses and drove on in silence, a ceme­tery of unspo­ken words spread between them.

His mind wan­dered back to Eli. The local media had reported that he’d risked his life to save the boy. From his hos­pi­tal bed, Eli had told the Sher­iff how he’d heard the boy’s cries while he was pick­ing up alu­minum cans on Granger Road; how he’d fol­lowed the screams to the deserted junk­yard; how he’d tried to pull the Rot­tweiler, her tits swollen with milk, her new­born pups nearby, off the lit­tle boy.

In another attempt at con­ver­sa­tion, the preacher cau­tioned his wife that every Sun­day Eli would limp his way down the aisle to a seat near the front of the church, his vul­gar, scarred face vis­i­ble and fright­en­ing to the chil­dren. He said, “The freak scares the kids.”

The preacher’s wife snapped her head around, her pained eyes slic­ing into her husband’s face. She asked, “Who’s com­plained about Eli fright­en­ing the children?”

He described vicious red scars that dis­torted Eli’s face, pulling the flesh, man­gling it into a mask, and explained to her the repul­sive, raw scars had to spook the chil­dren even if nobody had complained.

His wife sighed, turned to the win­dow, touch­ing the glass with a soli­tary fin­ger. She said, “Just as I thought. Nobody has com­plained. You imag­ine things. And I bet you’re the only one who calls Eli a freak.”

The preacher’s face burned fever­ishly, his jaw locked in anger, coffee-stained teeth grind­ing in his mouth. His hands gripped the steer­ing wheel, paint­ing his knuck­les white. How dare his wife reproach him! She’d accused him of imag­in­ing things, yet she’d been the unsta­ble one—swallowing sleep­ing pills dur­ing the day, cry­ing, hold­ing their son’s teddy bear. His wife had no place defend­ing the freak. Eli hadn’t saved any­body except maybe his own self. Before long, his son would be noth­ing but a faded mem­ory while Eli would live out the rest of his life as a hero. Because of the freak, the town would never stop talk­ing about the death of his son. He choked the steer­ing wheel with such force that his knuck­les popped.

 

From his king-sized chair in front of the choir, the preacher looked out into the con­gre­ga­tion, exam­in­ing his wife’s face as Eli shuf­fled in, his raw, jagged scars mag­ni­fied and daz­zling under the over­head lights. Her face soft­ened into a one-sided grin as she turned to the freak. The preacher hadn’t expe­ri­enced that kind of ten­der­ness from his wife since their boy died. He gripped the arms of the chair and watched as his wife motioned for Eli to sit with her. A slow burn­ing stain moved up the preacher’s neck, cov­er­ing his face. His heart ham­mered out an angry drumbeat.

She reached over and squeezed Eli’s scarred hand with her small, soft one, con­tin­u­ing to hold it in her ten­der grip as the choir rose to sing. How dare that idiot sit next to his wife—hold her hand—his scars exposed to the church like the scars on the cru­ci­fied Christ. It was blasphemy.

As the singing ended, the preacher strut­ted to the pul­pit, con­fi­dent that a halo of fire burned over his head, ready to offer the ser­mon that would change his wife and bring her run­ning back to him. She’d know after this ser­mon that he was on fire, anointed, and the future was theirs to grab.

He placed his bible on the podium and said, “Open your bibles and turn to John, Chap­ter 11.” He cleared his throat. "Verse 39.” He read: "Jesus saith unto her, take ye away the stone. Martha, the sis­ter of his that was dead, saith unto him, Lord by this time he stin­keth: for he hath been dead four days."

The preacher saw his wife stiffen and rear up her jaw. He’d expected encour­ag­ing eyes; instead, she stared motion­less, her mouth tight, at the three crosses hang­ing on the wall in the choir loft. He reminded him­self that she must feel trapped sit­ting so close to the freak. He’d tried to warn her this morn­ing, but she’d sulked and accused him of imag­in­ing things. Well she could suf­fer through the ser­vice. She’d cho­sen to sit with the freak and she would have to deal with the emo­tional con­se­quences of her decision.

He ripped into the ser­mon, imag­in­ing him­self as a tel­e­van­ge­list with the cam­eras rolling. “Lazarus had been dead for four days, but Jesus was about to restore his life.”

The preacher slammed the Bible shut and tossed it onto the podium. He loos­ened his tie and said, “With enough faith, noth­ing is impos­si­ble. Noth­ing is too big for God.” His voice rose, boom­ing, echo­ing off the ceil­ing beams. "He is lord of all. Death can­not stand in his way. 1Just imag­ine the stench that must have filled the air when the stone was moved. The smell of ran­cid meat.”

Increas­ing the vol­ume of his voice, he instructed the con­gre­ga­tion, “Inhale. Inhale right now and imag­ine the odor of decom­po­si­tion ris­ing from Lazarus’ corpse."

The pas­tor sucked oxy­gen into his lungs, demon­strat­ing to his con­gre­ga­tion that he expected them to fol­low his instruc­tions. "Inhale again."

With the excep­tion of his wife, every mem­ber of his con­gre­ga­tion inhaled at his com­mand, vac­u­um­ing up all sound from the small church. Even Eli drew in clum­sily through his mis­shaped mouth and nostrils.

The preacher thun­dered on. "His flesh had been decay­ing for four long days. By now, Lazarus' heart was rot­ting. The kid­neys hadn’t worked for days.”

Sweat dripped down the preacher’s face and dropped from his chin. He pulled out a hand­ker­chief and wiped his face. “Maybe the flesh had already begun to fall from the bone. Imag­ine it. Imag­ine what it was like inside that tomb when the stone was rolled back. It wasn’t a pretty scene. Close your eyes—picture it—smell it."

The preacher looked at Eli who was sit­ting trance-like beside his wife, his eyes half-closed as though he were hyp­no­tized. His wife’s chalky face stared at the crosses in the choir, her col­or­less lips quiv­er­ing. Maybe next time she’d lis­ten to him.

He yelled, his words wet with spit, "Pic­ture the scene. Lazarus is wrapped in the cloth of the dead. He's been in the heat for four hot days and the tomb reeks of a pun­gent odor."

He paused, wiped the sweat from his face, and demanded, "Inhale." And his congregation—except for his wife—inhaled again. A rush­ing intake filled the church.

The preacher rushed over to the podium. He picked up the Bible, ran his fin­ger down a page, and said, “Verses 43 and 44.”

He cleared his foamy throat and began read­ing. “And when he thus had spo­ken, he cried with a loud voice, Lazarus, come forth. And he that was dead came forth, bound hand and foot with grave­clothes: and his face was bound about with a nap­kin. Jesus sayeth unto them, Loose him and let him go.”

He slammed the Bible shut and yelled, “The lungs hadn't breathed for 96 hours. But hallelujah—praise the Lord—his lungs breathed again at the com­mand of the son of God.”

The preacher unbut­toned the coat to his three-piece suit, pulled it off, and flung it onto the first pew. He parked his hands on his hips and glared at his con­gre­ga­tion before call­ing out, "Not even death can stop Jesus. No mir­a­cle is too big for him. With the faith of a grain of mus­tard seed we can raise the dead. At his com­mand, the soil will fly up and the cas­kets will break open. The dead will sit up in their bur­ial clothes and climb out of their coffins, out from the cold, dark earth into the light of a new day. Nothing—and I mean noth­ing— is impos­si­ble with God."

In a breath­less, pant­ing voice, he cried out, "Can I hear some­body say amen?" Spit­tle oozed from the cor­ner of his mouth.

His flock cheered, "Amen."

Eli crossed his legs. Uncrossed them. Released the preacher’s wife’s hand. Sat for­ward. Gripped the pew in front of him. As the preacher con­tin­ued, Eli looked up at the ceil­ing and nod­ded. He rose from his seat and pat­tered down the aisle and out the dou­ble doors.

As the door closed behind Eli, the preacher leaped onto the altar, glared with burn­ing, fevered eyes at the con­gre­ga­tion of seventy-five men, women, and chil­dren, and shouted, "Is that as good as you can do? Now let me hear you shout amen!”

His flock cheered louder than ever, “Amen!"

The preacher’s spirit soared; he snorted like a devil blow­ing out smoke. He felt the fire burn­ing both inside him and over his head. In a craze, he felt it lift­ing him, lift­ing him higher and higher to greater things. He was no longer of the world.

With renewed energy, he preached in a hoarse, cracked voice about the power of God and the res­ur­rec­tion of Lazarus. He sprinted down the aisle, up and down, up and down. Twice he ran the length of the church, yelling his ser­mon to a con­gre­ga­tion hun­gry for mir­a­cles. With fiery eyes, he searched the faces of his flock. The preacher took sev­eral long, quick, delib­er­ate steps toward a woman near the front of the church. Her gray­ing hair hung like Span­ish moss down the trunk of her back. He placed one hand on the woman's fore­head and pushed her head back. Her fran­tic gaze scratched the ceil­ing. He called out, "Receive thy blessing."

A slow trem­ble took hold of the woman’s hands and arms, slith­er­ing over her body, rush­ing through her. She cried out in unknown tongues, a deliri­ous lan­guage of the Holy Ghost. Tears streamed down her face and dripped from her smil­ing lips.

The preacher seared with wild mad­ness, rush­ing from one mem­ber to another, lay­ing anointed hands on their heads, ignit­ing their souls as they spit out the mir­a­cle of unknown tongues.

Sat­is­fied, after pulling sob­bing prayers, the lan­guage of unknown tongues, and loud cries of praise from his mem­bers, the preacher strut­ted back to the pul­pit. He wiped sweat from his face and spit from his mouth, whis­per­ing, “Thank you, Jesus, thank you, Jesus.”

As he brought the ser­vice to a close, the pianist rose and walked to the front. As she played, Just As I Am, the door opened and Eli stum­bled in, his pants and shoes cov­ered with red clay. In his arms, wrapped in his dark coat, he cra­dled a pack­age. He limped down the aisle, drag­ging his injured leg, leav­ing a trail of fresh dirt on the red car­pet. The preacher watched the freak gimp past his wife, past the seat on the right where he sat every Sun­day, all the way to the pul­pit. He didn’t stop until he was at the altar, a cou­ple feet from where the pas­tor stood.

Eli looked up into the preacher’s face and smiled, lift­ing his facial scars upward, his eyes shim­mer­ing with faith. With his right hand, he pulled back the coat, reveal­ing the blue bun­dle cra­dled in the crook of his left arm.

The preacher froze, his eyes fix­ing on the blue out­fit. As he rec­og­nized the birth­day suit, a roar­ing noise det­o­nated inside him. He shook his head, as though try­ing to shake off a snake that had landed on him. A blast rever­ber­ated in his brain and screamed like a run­away death train plow­ing through his ears. The preacher’s face burst into a bril­liant, shock­ing shade of pur­ple. He fought to breathe, his fin­gers claw­ing at his neck, yank­ing at his chest. He burned from the inside out as though he’d swal­lowed the halo of fire that had hung over his head.

Eli dropped the coat to the floor and took a step for­ward, lift­ing the tiny corpse to the preacher’s face, offer­ing it up for a mir­a­cle. He slurred out one word: “Lazarus.”

Brenda Sut­ton Rose is a visual artist and writer who grew up bare­foot and poor in south­ern Geor­gia. Her poetry, essays, and short sto­ries have appeared or are forth­com­ing in Fly­catcher: A Jour­nal of Native Imag­i­na­tion and other pub­li­ca­tions. She writes a blog, "Sweet Tea in South­ern Georgia."

└ Tags: brenda rose, Fiction, lazarus
 Comment 
May11

GOD DIDN'T GET ME NO WEED, by Mather Schneider

by Rusty on May 11th, 2012 at 9:00 am

Me and Lit­tle John were sit­ting at the bus sta­tion behind the wheels of our taxi cabs. We were far, far down on the cab cue, so we wouldn't get a fare for a while. It was a depress­ing place to be, num­ber 9 or 10 on the bus sta­tion cab cue. It was about 4 in the afternoon.

Lit­tle John was on his cell phone. His 7 teeth flashed in the sun.“Hey, Donny,” he said into the phone. “What’s up? Where you been?”

He looked at me through our open win­dows and gave me the thumbs up.

“What?” he said. “No, no, man…Hey, is Jay there?… Where is he?…Don’t fuck around man, I’m com­pletely out, I mean

I had a cou­ple of buds stashed away for an emer­gency but those are gone now and…What?…No, hey, you know me, man, I can’t live like this. I AM A MAN WHO NEEDS HIS WEED! Ray? Ray? Hello?”

Lit­tle John looked at me again. “Fucker hung up,” he said. “He’s blow­ing me off, man. But I’ll get to him if I have to drive this fuck­ing taxi all the way to fuck­ing Yuma.”

Lit­tle John was 5’6” and weighed 245 pounds. He had bad arches that caused him to walk with a stiff-legged lurch, but he hardly ever walked, he mostly remained behind the wheel of his cab. He was most com­fort­able there, and had the appear­ance of being a phys­i­cal part of the vehi­cle. He was 47 years old with over-washed salt and pep­per hair that fell down his neck and onto his Neolithic fore­head. A wart poked its nipple-like head out of his right cheek and he had the habit of rub­bing it while he talked.

"Don’t smoke pot before you come to work,” the boss told Lit­tle John one time.

“Be rea­son­able,” Lit­tle John said.

“Well, don’t smoke at least 3 hours before work.”

“One hour.”

“Two and a half.”

They set­tled on two hours but Lit­tle John smokes through­out his whole shift any­way. He goes home and smokes a joint and then he’s back in his taxi, or he just smokes in his taxi.

But today he ran out of weed for the first time in years.

"I can't live like this," he said. "I've got to work, I've got to drive this fuck­ing taxi, I've got to make money. I've got to deal with these peo­ple, all these mother fuckers…"

"Easy," I said. “God is listening."

"Fuck god," Lit­tle John said. "God didn't get me no weed."

"You hear me, mother fucker?" he said, lean­ing his head out his cab win­dow and look­ing at the sky. "Fuck YOU!"

He brought his head back inside the cab and looked straight ahead with a sigh. He sat there for a sec­ond. Then he gave me a wor­ried look, and put his head back out the window.

"Just kid­ding," he said to the sky.

Just then a black van pulled into the bus sta­tion park­ing lot. The hot sun reflected off the shiny black paint. The van stopped and a mus­cu­lar tat­tooed white guy got out the back. Then the dri­ver got out, a fat white guy in a white shirt. He ran around the van and grabbed the first guy and started beat­ing him in the face with his fist. He hit him about ten times, rapidly, and the guy crum­pled onto the ground. Then the guy got back in the van and drove off.

Lit­tle John jumped out of his cab and ran over to the guy on the ground. A cou­ple of other cab­bies wan­dered over too. Lit­tle John bent down and helped the guy up, and then the guy tried to hit him. Lit­tle John pushed him off and the guy stood up and stum­bled away toward Broadway.

Lit­tle John walked back to his cab, defeated.

“Some peo­ple just don’t want help,” he said.

“Did you ask him if he had any weed?” I said.

“Don’t joke about it,” he said.

“Some­thing will come up.”

“Easy for you to say,” he said. “You’re a drunk. All you have to do is go to the store.”

“Except on Sun­days,” I said. “On Sun­days I have to wait until ten o’clock. We’re liv­ing in a police state.”

“Poor baby,” Lit­tle John said. “Poor god damned fuck­ing baby.”

“Yeah, yeah.”

“Shit, I got to get out of this city. I got to get back to the coun­try. I was raised in the coun­try, you know.”

He lit a cigarette.

“We used to have chick­ens, goats, pigs, all that,” he con­tin­ued. “That was the fuck­ing life, bet­ter than this shitty city. This place is fuck­ing dirty, man, and full of ass­holes. Plus, in the coun­try you can grow your own weed.”

“So what’s stop­ping you?” I said.

“I don’t know, I’ve got my apart­ment. Besides, how would I get money?”

A Grey­hound bus pulled into the sta­tion and emp­tied itself of peo­ple. A few of the cabs in the front of the cue got fares, and pulled away. Then the whole cue moved up and every­one got in their cars, moved 30 yards up, and parked them again.

“I had this one lit­tle chick,” Lit­tle John said, “on the farm. “Lit­tle fuzzy yel­low thing, and she grew attached to me. I named her Peep­ers. Damn, she was cute, man, you should have seen her, she would fol­low me around every­where I went.”

“How old were you?” I said.

“I was like 8 or 9 I think, yeah. Shit, Peep­ers, I haven’t thought about her in a long time. But it’s sad though, because one day we were run­ning through a field, and I was run­ning real fast, you know, and I guess she just couldn’t take it and she stopped. I felt bad and went back and bent over her and she was breath­ing real heavy and kind of twitch­ing in the grass. Jesus, I started cry­ing. And then you know what happened?”

“What?”

“Her heart exploded! It fuck­ing exploded right out of her chest. Right out of her lit­tle fuck­ing chest.”

I gave him a look.

“I’m seri­ous, it did, exploded right out of her chest, there was blood on the ground, it was terrible.”

Lit­tle John seemed to go into another world and a tear fell down his cheek. He looked away and wiped it.

“Maybe you should just stay here in the city, big fella,” I said.

He shook his head up and down but he couldn’t talk any­more. The cab cue was dead.

“I’ve got to go,” I said. “I’ve got a personal.”

“Ain’t you lucky.”

I pulled out, to the delight of the cab dri­ver behind me. Every­thing starts with mov­ing, just keep mov­ing and the luck would change. It was like death just sit­ting there.

I drove over to the Food City by Ran­dolph Park and got a hot dog at an out­door stand. A Mex­i­can guy handed it to me and it was loaded: beans, ketchup, mus­tard, mayo, onions, toma­toes, cucum­bers, cheese and bacon.

I was stand­ing there eat­ing the hot dog next to my cab in the bright sun when I saw a man run­ning toward me across the Food City park­ing lot, wav­ing his arm. He was lug­ging a suit­case and it was obvi­ous he needed a cab. Come to papa, I thought. He was run­ning like his heart would burst from his chest.

I was born in Peo­ria, Illi­nois in 1970 and have lived in Tuc­son, Ari­zona for the past 14 years. I love it here, love the desert, love the Mex­i­can cul­ture (most of it), and I love the heat. I have one full-length book of poetry out called DROUGHT RESISTANT STRAIN by Inte­rior Noise Press and another called HE TOOK A CAB from New York Quar­terly Press. I have had over 500 poems and sto­ries pub­lished since 1993 and I am cur­rently work­ing on a book of prose.

http://​www​.nyq​books​.org/​a​u​t​h​o​r​/​m​a​t​h​e​r​s​c​h​n​e​i​der

 

└ Tags: essay, god didnt get me more weed, mather schneider
 Comment 
May08

Hill Tide, fiction by William Trent Pancoast

by Rusty on May 8th, 2012 at 9:00 am

As Vio­let jos­tled among the church crowd and exchanged greet­ings, she tried to recall the sound of the spring that spurted year round from the base of the hill behind the cabin. But the voices and heat pre­vented her from hear­ing any­thing but a hum­ming noise, as if every­thing around her were vibrat­ing. She was at the door shak­ing the minister’s hand.

“Glad to see you, Mrs. Tay­lor. You’re look­ing well.”

“Thank you,” she answered, and won­dered, as she was enveloped by the swel­ter­ing heat out­side, how she had come to be where she was at this very moment.

She walked slowly. A group of chil­dren played in a lot behind the Gulf sta­tion on the cor­ner. Deci­sions had shaped her path, caused her to be out this after­noon on a busy street in South Charleston that went for miles past ware­houses and fac­to­ries, and led finally into the hills, where she knew the smoky haze of the val­ley would be left behind. But every­one made decisions.

She con­tin­ued on her way, deep in thought. She was a thinker; the years of iso­la­tion in her big house had, if noth­ing else, caused her to spend many hours and days think­ing. But more often than not she felt as if she were in a maze, and that think­ing only led her deeper into it. So it was now as she thought of her life. And what her mind told her, what it showed her about her life, was not much: only that every thought she had ever had and that every deci­sion she had ever made placed her, at this very moment, on this dingy street in the midst of the stink­ing chem­i­cal fac­to­ries of Charleston, West Virginia.

Then she was at the door of the big, white house. It was too large for her to take care of any­more. Once it had served a pur­pose, pro­vid­ing the room for her sev­eral chil­dren, who were now pur­su­ing their own lives. One of them, the old­est, had become a doc­tor; another was an engi­neer. But they had all but for­got­ten her. The let­ters came sel­dom if ever, and the vis­its had stopped long ago.

As she opened the heavy, wooden door and entered the old house, her thoughts were of the farm and the joy she had felt as a child grow­ing up there. She ate, and after sit­ting for an hour or so, men­tally explor­ing what she could remem­ber of her child­hood, called her sister.

“Hello, Myrna. How are you?”

“Oh, I’m fine. But it’s so hot.”

“I was thinking…I’m going for a ride to cool off. Would you like to come?”

“What a grand idea.”

“Okay, I’ll pick you up.”

She grew excited as she drove to Myrna’s. At least, she thought, she was break­ing the monot­ony of her rou­tine, that same­ness that made up her days. As she wheeled the old Chrysler through the famil­iar streets she sud­denly pic­tured her wiry, mus­tached father rid­ing the plow along behind the horses.

Myrna was wait­ing on the porch. When she was in the car she sug­gested, “Let’s drive up to Cane Creek and see the Johnson’s.”

“No,” Vio­let answered quickly, “Let’s go down to the river.”

“What river? The Coal or Kanawha?”

“No. Our river.”

Myrna looked con­fused. “You mean down to the farm?” she exclaimed.

“Yes. That’s our river. Wouldn’t you love to see it again?”

“I don’t think so…you know what Daddy said before he died. He said never go near there. It’s all grown up and there never was a road built past the farm.”

Myrna was silent as they started the ascent into the hills. At one curve a goat sat on a rock ledge over­look­ing the road. She was glad they were in the coun­try and, besides, she knew she couldn’t change Violet’s mind once it was made up. “Okay,” she finally said. “I’ll go, but only because…because I want you to see how fool­ish you are, always talk­ing about that des­o­late, old farm.”

Vio­let liked to see the cab­ins along the creeks, the saw mills, and the peo­ple. She even liked the dingy, skeleton-like remains of the coal mines – at least they reminded her of things she had known when she was young. The city had no mem­o­ries to give her, she thought, envy­ing the peo­ple who sat on their porches in the shade of huge trees and who had moun­tains for back yards.

All after­noon they drove through small towns, com­ing closer to the farm their father had home­steaded after the Civil War. In the dis­tance, Vio­let saw a string of engines labor­ing their way out of the hills with a line of coal cars trail­ing behind and a mem­ory flashed: She and Myrna and Perry had just come down the wagon trail on their way to school. They had to wait for the train to go past on its way to the next sid­ing, which was near the school. Perry ran along­side one of the cars, and jumped for the lad­der, intend­ing to ride to school. But he slipped as his foot hit the frost-covered rung. After he had recov­ered from the near fall, laugh­ter took the place of his fright, and clown­ing, Perry hung from the lad­der with one hand to show his sis­ters he wasn’t at all scared. Then came the jolt. Perry fell and the car skid­ded along the slick rails, sev­er­ing his legs. He writhed on the gravel for a few moments before he lost con­scious­ness, and when Vio­let reached him, his blood-spurting stumps were cov­ered with cin­ders. “Get Mamma!” she cried to Myrna who stood in tears where she had been when Perry fell.

“Look out!” Myrna cried as the car veered into the other lane on a curve. Vio­let jerked the wheel to the right and barely missed a car. When they were on a straight stretch of road, Myrna said, “Let’s turn back.”

“Turn back! Why, we’re almost there.” She had to see the farm now, if only for a moment. She had to see the spot where Perry had died in her arms. She had to see things as they had been.

Vio­let drove sev­eral miles south along the Tug River until they came to the bridge to Ken­tucky. There she stopped at a com­bi­na­tion gas sta­tion and church. “Hello,” she said to the man who came out. “Can you tell me the best way to Lar­son Creek?”

He looked to his feet and stirred the gravel with first one foot and then the other. Brush­ing his mat­ted hair back, he squinted into the car. “What busi­ness y’all got there?”

“We used to live there. How long have you lived here?”

“Not long.”

“Oh,” she said, and since he had noth­ing of the past to share with her, asked again about the way.

“You kin go a mile or so down the Ken­tucky side,” he said point­ing to the bridge, “and walk the river on the foot bridge. Or you kin go behind the place here and take the rail­road util­ity road.”

She thanked him, and they started along the cin­der road along the rail­road. Shacks lined the bank. Many of the build­ings were deserted. In the inhab­ited ones, fam­i­lies sat on the lop­sided porches watch­ing Violet’s Chrysler intently. Bare­foot chil­dren ran along behind in the dust until they were shouted back. Vio­let stopped at a shack that had a “Bar­ber Shop” sign on it. Two men sat on the porch drink­ing beer. She got out of the car to ask direc­tions and the men walked out to her. She looked closely at the taller of the two. “What’s your name?” she blurted.

“…Oapie.”

“Oapie…Oapie Wat­son!” she said upon asso­ci­at­ing the name with the man. He looked surprised.

“I’m Vio­let Taylor…Don’t you remem­ber me?”

He stretched his neck for­ward. “It’s been a long while, ain’t it?”

“It’s been so long I don’t even rec­og­nize much here,” she said look­ing around. “We’re look­ing for Lar­son Creek. As I remem­ber, it should be right around here.”

“About fifty yards fur­ther. You can’t see it. It’s all growed over.” He pointed down the tracks. “Right where that big tree limb sticks out of the growth. That’s where Lar­son Creek goes under the rail­road.” The other man went back to the porch where he care­fully placed his empty bot­tle in the top beer case.

“Does any­body still live up the creek where our place was?”

“No, ain’t nobody been up there for years.”

“Well, we’re going up and look around,” Vio­let said, and turned to Myrna, who sat look­ing straight ahead. “You remem­ber Oapie here, don’t you? Imag­ine, after all these years, Oapie’s still here!” Myrna sat still, her lips drawn tight.

Oapie stepped for­ward as Vio­let turned to get in the car. “You don’t want to go up there. Snakes all over the place.”

“I used to live there. You can’t scare me with your snake stories.”

“Ain’t want­ing to scare you. But the strip­mine does it – they stir up the snakes and they come down here. I kilt one right here under the porch t’other day.”

“Well, I’ll take my chances,” she said, get­ting into the car. “Thank you, Oapie,” she called as she drove away.

“Let’s leave, Vio­let,” Myrna said. “I’m scared of these peo­ple. They aren’t our kind anymore.”

“Non­sense.”

Myrna looked back. The other man had joined Oapie at the road where they stood star­ing after the car. “What are they star­ing at, then?”

Vio­let parked the car in front of an aban­doned shack and grabbed her cane off the back seat. “Are you com­ing?” she asked as she got out of the car.

“No, I don’t want to see it.”

She picked her way up the rail­road bed, crossed the tracks, and stood look­ing down the eroded bank of the creek. The water was muddy with traces of orange run­ning through it. Trees grew on the wagon road her father had cleared. She looked ahead to the hill, before which would stand the cabin. At the top were great bare spots, and scat­tered down the hill­side were huge rocks and piles of debris. Briar patches, stunted trees, and weeds cov­ered the fields her father had farmed. After a cou­ple more min­utes she could see the chim­ney, which she found was the only part of the cabin still standing.

She heard a train whis­tle in the dis­tance and stopped. The river was vis­i­ble below. A junked car pro­truded from a shal­low spot. There was a grave­yard on the far bank. A fire had destroyed the cabin. The barn still stood, but most of the sid­ing had rot­ted away. She had expected to find things much as she had left them, but saw now that time had done its work.

Then she saw the spring and started towards it to get a drink. She stepped over a charred log and felt some­thing sharp tear at her leg. She thought it was a briar or a piece of barbed wire, but then she saw the cop­per­head. Drops of blood oozed out the tiny holes in her calf. She flung the snake away with the cane and went on to the spring. After a long drink she started back.

She wasn’t wor­ried that she had been bit­ten; it wasn’t her first snake bite. But she felt dizzy after a few steps. She sat down on a large rock between the spring and the chim­ney. Feel­ing very tired, she lay down on the grass, aware of the spoilage and waste that lay all around. Yet she was glad to be here, and for the first time in many years, felt at peace. As she lost con­scious­ness she was a girl of ten help­ing her father feed the ani­mals late on a sum­mer evening, and the cool breeze that had picked up at the com­ing of dusk was wel­come after the heat of the day.

Myrna had started to fol­low Vio­let, but turned back before she had gone far. The train had come sud­denly and she had stood at the bot­tom of the wagon road wait­ing for it to pass. As the heavy car­riages rum­bled past, she heard Vio­let scream­ing. What? “Get Mamma!”

Shaken, Myrna made her way back to the car. She watched for Vio­let to return along the creek bank until it was too dark to see any­thing. As night sounds and evening mist sur­rounded the car, Myrna began cry­ing softly. She felt the cool air blow­ing down from the hills and smelled wood smoke, and won­dered how she had come to be where she was at this very moment.

 Hill Tide was first pub­lished in 1976 in The Moun­tain Call out of Ker­mit, West Vir­ginia, and again in Apple Mag­a­zine of Mans­field, Ohio, in 1978.

William Trent Pan­coast's nov­els include WILDCAT (2010) and CRASHING (1983). His short sto­ries, essays, and edi­to­ri­als have appeared in Night Train, Sol­i­dar­ity mag­a­zine, and US News & World Report.

 

 

└ Tags: Fiction, hill tide, william trent pancoast
 Comment 
May05

What He Asked, and How She Answered, fiction by Brian Carr

by Rusty on May 5th, 2012 at 9:00 am

At the win­dow, with it open, as rain sang across the land once dry, so the rain slipped in threads of cur­rent down cracks and toward the lows, the man wiped his glasses free of spray—beads that had hit the sill and splat­tered at him. He cleared his throat, put the glasses back on, picked up a cig­a­rette weav­ing smoke into the pale-yellow room—a light cast by a sin­gle bulb dan­gling above the kitchen table from a cord, makeshift.

“Would you say,” said the man now ash­ing his cig­a­rette, smoke stain­ing his words, his eyes toward the rain, “that I am very brave?” He then looked at a woman, wrapped in a blan­ket, her eyes tight against the chill, her body frail with age and labor, her hair winced gray by days. She tight­ened the blan­ket across her shoul­ders, leaned against a wall—faded white paint, cracked and spotting.

“These days?” she said, and looked now at the rain, sighed as if she knew it only came to wash her off the land, to hoist their home from its foun­da­tion in a tor­rent toward the death of it—nature rav­aging its boards and bones to splin­ters and shin­gles and scraps and refuse that would toss wildly in the breath of flood until it came to rest unrec­og­niz­able. She closed her eyes. Turned from the man. “I wouldn’t even call you handsome.”

These days the cou­ple bick­ered, made fights from moments oth­ers might let pass silently, but in the past they would hold hands until the warmth of their palms birthed a slick­ness from sweat, but even then their fin­gers stayed clasped through the damp. They’d speak cute phrases to each other—the man warmly coo­ing her name, the woman smil­ing when she heard him coo it. But that music had faded from them.

 The man looked at the woman, nod­ded, said, “I’m ugly,” he said, “but ugly men can live bravely.”

 “They can,” said the woman, and she stayed silent a moment so only the sound of rain filled the room, and she looked at the man, lazily blinked her eyes, smiled so slightly only she could sense it. “But I’ve never seen it.”

 The man shrugged. He ashed his cig­a­rette mildly. He turned back toward the rain. They didn’t speak for a long time.

Brian Allen Carr's debut col­lec­tion Short Bus is out with Texas Review Press, and his next book, Vam­pire Con­di­tions, is out soon with Holler Presents, and it will play card tricks for you and hide your keys. He teaches at Uni­ver­sity of Houston-Victoria, and he wants you to visit. 


└ Tags: brian carr, Fiction
 Comment 
  • Page 1 of 58
  • 1
  • 2
  • 3
  • 4
  • 5
  • »
  • Last »

Goodreads

Rusty Barnes's books on Goodreads
Breaking it DownBreak­ing it Down
reviews: 18
rat­ings: 147 (avg rat­ing 4.61)

Redneck PoemsRed­neck Poems
reviews: 12
rat­ings: 25 (avg rat­ing 5.00)

Night Train at Normal Illinois, Issue 6Night Train at Nor­mal Illi­nois, Issue 6
reviews: 1
rat­ings: 4 (avg rat­ing 5.00)

GUD: Greatest Uncommon Denominator (magazine) Issue 0GUD: Great­est Uncom­mon Denom­i­na­tor (mag­a­zine) Issue 0
reviews: 6
rat­ings: 38 (avg rat­ing 4.68)

GUD: Greatest Uncommon Denominator (magazine) Issue 1GUD: Great­est Uncom­mon Denom­i­na­tor (mag­a­zine) Issue 1
reviews: 2
rat­ings: 13 (avg rat­ing 4.67)

Meta

  • Log in
  • Entries RSS
  • Comments RSS
  • WordPress.org

Old Coffee

  • May 2012 (6)
  • April 2012 (11)
  • March 2012 (10)
  • February 2012 (11)
  • January 2012 (12)
  • December 2011 (6)
  • November 2011 (3)
  • October 2011 (4)
  • September 2011 (4)
  • August 2011 (9)
  • May 2011 (1)
  • April 2011 (5)
  • March 2011 (5)
  • February 2011 (5)
  • January 2011 (7)
  • December 2010 (9)
  • November 2010 (8)
  • October 2010 (2)
  • September 2010 (7)
  • August 2010 (9)
  • July 2010 (8)
  • June 2010 (5)
  • May 2010 (9)
  • April 2010 (8)
  • March 2010 (11)
  • February 2010 (9)
  • January 2010 (10)
  • December 2009 (5)
  • November 2009 (5)
  • October 2009 (6)
  • September 2009 (11)
  • August 2009 (9)
  • July 2009 (9)
  • June 2009 (11)
  • May 2009 (7)
  • March 2009 (3)
  • January 2009 (1)
  • December 2008 (1)
  • November 2008 (4)
  • October 2008 (4)
  • September 2008 (11)
  • August 2008 (7)

Counter

Site Meter
proprietor@​friedchickenandcoffee.​com

©2008-2012 Redneck Press/Rusty Barnes | Powered by WordPress with Easel | Subscribe: RSS | Back to Top ↑